Monday, September 08, 2014

Guest Post: “Where Writers Get Their Groove” by Sebastien de Castell

SebastienDeCastell-AuthorPicBy far the most common question you get asked as an author is, “Where do your ideas come from?” Of course, my ideas come from the same places as yours do: the crazy parts of your brain intersecting with the crazy parts of the world around you. Human brains are hard-wired to find patterns even when there are none and those little synaptic misfires are part of what makes us creative beings.

Now, the question I never get asked is, “Where do you get your groove from?” Maybe this sounds like a silly question. After all, books don’t have a groove, do they?

deCastellS-GC1-TraitorsBladeThink about those big moments in a story when your eyes are racing across the page to find out what comes next. If the author is doing their job every line should be moving the story along at the perfect speed for the action taking place. Remember back to one of those heart-rending passages where your eyes suddenly freeze on the last three words of a sentence as the implications of an emotional turnaround hits you. That strange, almost magical timing is pacing. It’s rhythm. It’s groove. My first experiences with storytelling were as a touring musician, so I often go back to music for the inspiration in finding the right pacing for key scenes in the books I write. Here’s a few that helped put Traitor’s Blade onto the page.

Kest’s Fight Song: Mirando by Ratatat

Being a swashbuckling adventure tale, Traitor’s Blade has a lot of swordfights, battles, and other action scenes. Falcio, Kest, and Brasti are very different sorts of fighters and finding their pacing came in part by listening to songs that just seemed to match the tempos of their duelling styles.

The hardest people to fence are the ones with unusual and unpredictable timing and this odd piece of electronica has a rhythm that helped me conceive of Kest’s fluid style. There are little beats within beats and the rests between some of the notes are just the kind of stuttering style that would throw an opponent off in a swordfight.

Album: LP3

Falcio’s Fight Song: You Know My Name by Chris Cornell

This was the song from the opening credits for Casino Royale and there’s a kind of dramatic aggression in the shifts between verse and chorus that always make me think of Falcio’s habit of thinking through the first beats of a fight and then launching into fierce attacks. It also inspired the opening beats to Falcio’s first fight in Rijou where he starts making Shiballe’s thugs anxious by repeating ‘You know my name’ over and over.

Album: You Know My Name (Single)

Brasti’s Fight Song: Cobra Style by Teddybears (feat. Mad Cobra)

This is an odd one musically but it works at a tempo that’s just a bit faster than rock songs normally follow. It’s also got these great bouncy moments where I always envision Brasti drawing, knocking, and firing arrows one after another. The lyrics aren’t terribly sophisticated but, you know, neither is Brasti.

Album: Soft Machine

Chaotic Battle Theme: Walkie Talkie Man by Steriogram

This is my favourite everything’s-gone-to-hell song. The verse lyrics are sung too fast to make sense of and make me imagine three guys trying to tell each other what’s happening in the middle of a chaotic battle.

Album: Schmack!

Sneaking Song: Lifting the Building by David Holmes

Originally from the Ocean’s 12 soundtrack, this bongo-fuelled instrumental evokes a group of intruders sneaking their way into danger.

Album: Ocean’s Twelve (Soundtrack)

The Dashini Song: Baghdad by Jesse Cook

The opening has an odd combination of Spanish, Middle Eastern, and an almost cowboy showdown sound to it that gives the sense of suddenly realizing you’re in the wrong place at the wrong time. There is alsoa sinewy woodwind playing that made me thing of the snake-like movements of the Dashini stilletto blades.

Album: Tempest

Falcio’s Last Chance for Happiness: Island in the Sun by Weezer

It was listening to this song that made me realize Falcio needed to get one last chance at happiness only to refuse it because his quest wasn’t done. The reference Ethalia makes to a small island off the coast of Baern comes from this tune.

Album: Weezer

Riding Into Battle: Count on my Love by Liz Phair

It might be a little sappy, but I can’t hear this song without imagining Falcio riding hard and fast to try to save Aline’s life.

Album: Somebody’s Miracle

The Mystery Song:

There’s another song, that inspired a phrase used in Traitor’s Blade, which was written by a somewhat obscure early 1990’s band known for fusing rockabilly, latin and reggae. If you find a track listing from their sole album you’ll immediately know which song it is.

First person to find it and list the name of the band and the track in the comments gets a signed copy of Traitor’s Blade. Here’s an extra hint: the bass player in this band was originally in the iconic British punk rock band, The Clash.

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Sebastien de Castell’s The Traitor’s Blade was published in paperback last week in the UK, by Jo Fletcher Books. You can also find him on Twitter and Facebook.

Also on CR: Interview with Sebastien de Castell, Review of Traitor’s Blade



  1. Is it Havana 3am - Reach the Rock.

    Also for my part - I really enjoyed your novel and look forward to what you publish next. Thanks!

  2. Got it right on the first try! Well done Allan. I'm delighted to hear that you enjoyed Traitor's Blade. Jo Fletcher Books' own swashbuckler, Andrew, will be in touch to send you a signed copy.

  3. Thank you so much! That's awesome news.

    My email is