Review: THE WAKE (Vertigo)

Writer: Scott Snyder | Artist: Sean Murphy | Colors: Matt Hollingsworth

When Marine Biologist Lee Archer is approached by the Department of Homeland Security for help with a new threat, she declines, but quickly realizes they won’t take no for an answer. Soon she is plunging to the depths of the Arctic Circle to a secret, underwater oilrig filled with roughnecks and scientists on the brink of an incredible discovery. But when things go horribly wrong, this scientific safe haven will turn into a house of horrors at the bottom of the ocean!

Collects: The Wake #1-10

This is a tricky one to review. This is the whole ten-issue run of the series, which means a lot happens. The multiple timelines, the expansive scope of the story… There’s a lot crammed into this book. It’s the most ambitious of Snyder’s stories that I’ve read, and while I found it excellent on a number of levels, the second half really let the book down.

Coffin Hill, Vol.1 – “Forest of the Night” (Vertigo)

An excellent start to a new series

Following a night of sex, drugs and witchcraft in the woods, Eve Coffin wakes up naked, covered in blood and unable to remember how she got there. One friend is missing, one is in a mental ward-and one knows that Eve is responsible.

Years later, Eve returns to Coffin Hill, only to discover the darkness that she unleashed ten years ago in the woods was never contained. It continues to seep through the town, cursing the soul of this sleepy Massachusetts hollow, spilling secrets and enacting its revenge.

Set against the haunted backdrop of New England, COFFIN HILL explores what people will do for power and retribution.

Collects: Coffin Hill #1-7

In Coffin Hill, novelist Caitlin Kittredge (Black London series) has written an engaging, eerie, and above all superb tale of witchcraft, childhood mistakes and family legacies. Inaki Miranda – perhaps best known for work on Fairest – realises the book beautifully. This book doesn’t really need much of a review. If you are a fan of horror, suspense, witches, and weirdness, then this is a great book for you. I really enjoyed this.

Books Received…

Featuring: Kristen Britain, Brian Freeman, Christopher Galt, Nick Harkaway, Snorri Kristjansson, Ursula le Guin, Peter May, Karen Miller, Paul Sussman, Chris Willrich, & graphic novels

Artwork: FAIREST #26 (Vertigo)

A very quick and simple artwork post, because I saw it and it caught my eye. And because I love the series it is a part of. This issue is the conclusion to the current storyline (I’m waiting, as always, for the collected edition to read and review). The piece is by Adam Hughes:

You can check out a preview of the issue on Comic Book Resources. Here’s the synopsis:

The epic conclusion is here! As all roads have led back to Fabletown, Cinderella leads the battle against the seemingly endless onslaught of mice/mundy hybrids! This one has it all: Blood! Guts! Romance! Swordplay! Magic! Mystery! Noble sacrifice! And… cheese? Read it before the clock strikes midnight!

Published by Vertigo Comics, the issue is written by Marc Andreyko, with art by Shawn McManus.

Books Received (End of April/Beginning of May)…

Featuring: Jim Butcher, Trudi Canavan, Stephen Hunt, Kameron Hurley, Richard Kadrey, Stephen King, Shane Kuhn, Mark Lawrence, Sarah Lotz, Elizabeth Moon, & Graphic Novels

Hinterkind, Vol.1 – “The Waking World” (Vertigo)

Writer: Ian Edginton | Artist: Francesco Trifogli

In a post-apocalyptic world where humans have been pushed to the edge of extinction by the creatures of fantasy and fables, THE HINTERKIND tells the story of one young woman’s quest to fulfill her destiny and put the world right again.

Fifty-seven years after an unspecified biological event has all but wiped out the human race, a green hand has moved over the face of the Earth. Leaf, root and shoot have steadfastly smothered the works of man, remorselessly grinding the concrete, glass and steel back into the minerals from whence they came. Mother Nature is reclaiming what’s rightfully hers but she's not the only one…

The Hinterkind have returned. They come from hiding places in the lost corners of the world: Centaurs, Satyrs, Elves, Dwarves, Ogres, Trolls, Werewolves, Vampires…

They’re also known as “the Hidden,” “the Twilight People,” the “walkers-in-shadow,” collective names for the menagerie that mankind has hung its tales of myth and magic upon – but these aren’t fairy tale creatures. They are flesh, blood and passion, and they have a long simmering hatred of humanity.

They are a divergent species. Exotic evolutionary try-outs that couldn’t compete with the rapacious ape. Hunted to near extinction through fear and ignorance, they fled to the great forests and deserts, losing themselves in the shrinking wilderness of an ever-expanding world.

Now the wilderness is the world and mankind is in the minority.

Collects: HINTERKIND #1-6

This is a strange, promising, and yet somewhat flawed start to a new series.

The first issue presents a fantastic post-apocalyptic world – one in which human society has been near-destroyed, global populations brought to the brink of extinction. Our protagonists are based in Central Park, New York, and have built a working community: foraging for leftover items in the over-grown city around them, hunting the wildlife. It’s a stunning start, actually, and I was immediately drawn to the setting. The characters and writing were strong, and they were well-realised by the artwork.

On My Growing Frustration with Marvel & DC Comics…

I’ve been thinking about this a lot over the last few days. I’m not really sure what this post is supposed to achieve, either. But, I thought I’d write it down. Mostly, I think, it indicates a shift in how I’m going to read and review comics.

Since I started reading comics again, in September 2011 with the launch of DC’s New 52 reboot, I have slowly started to become more and more frustrated with the near-endless cross-over events. Sure, this is not a new complaint from comics readers, and certainly it won’t do anything to change things. But, it will change things for me.

I understand the business rationale for cross-over Events: it encourages people to try new series, which in turn could lead to consistent interest in previously-unread series. Or, at the very least, a short-term up-tick in sales that isn’t bad for the publisher, either.

For me, though, it is annoying. I’ve always approached Marvel’s titles with eyebrow firmly raised, because it’s a given that any title will be involved in an Event at least twice a year – and, in 2012-13, it seems like the rate of Events is spiraling so far out of control that the only conclusion is that Marvel’s brain-trust (or, more likely, executives) have zero imagination, and can’t conceive of any title surviving/succeeding on its own. Which is too much cynicism for creativity and long-term success, in my opinion. “Avengers vs. X-Men”, “Age of Ultron”, “Infinity”, and even in the Ultimate Comics line, we had “Divided We Stand/United We Fall” and the Ultimate Comics series will be brought to an end with the “Cataclysm” Event.

Let’s take a look at DC: First, there was the Bat-family “Night of the Owls” Event, which had one tie-in issue per series (more or less). Then there was the larger “Death of the Family” Event, which was pretty good (but a little flat, by the end), and quite expensive for anyone who wanted the whole picture/story. Now, Batman will also have the “Year Zero” event, which will include 10 tie-in issues from other series. Sigh. There was the “Throne of Atlantis” Event, which was relatively short, and only connected two titles together (Aquaman and Justice League). There is the just-completed “Trinity War” Event, tying together Justice League, Pandora, Justice League Dark, Phantom Stranger and Constantine. Now, we have “Forever Evil: Blight” (18 issues, total), which is a cross-over between Constantine, Pandora, Phantom Stranger, and Justice League Dark. In addition to this, there was the early, tedious daemonite cross-over mess that tied together too many series early on in the New 52’s history. Green Lantern series had the Rise of the Third Army and immediately-following Wrath of the First Lantern.

Valiant Comics have had at least two cross-over events, too. Which is rather excessive for a line that has only been going (after a renewal) for little over a year. And all of the Events mentioned in this post don’t account for all of the ones that have been unveiled, or are pending.

This endless crossing over, mixing is just too much. For me, anyway. So, I’m going to stick to a very limited number of New 52 titles, and also Ultimate Comics series, some older Marvel series (mostly Captain America-related), and explore more offerings from other publishers. Perhaps the only exception will be Vertigo Comics (the “mature” imprint of DC Comics), which has some truly excellent series – many of which are already complete, which makes it easier to plan purchases and reading.*

It’s just too expensive to get the whole picture with the Big Two. Marvel have been ridiculous for a long time. DC, after pulling off a great re-boot, seem to have caught the Cross Over Bug a little too hard, which has just killed my enthusiasm to fork over all that money. Getting the whole story is very important to me. As, I’m sure, it is for a lot of reading junkies. If you’re going to pursue a strategy that whiffs of gouging… Count me out. I have rent and food to pay for (which I can barely manage as it is).

So, yeah. I’m not really sure if this post really achieves anything. But there we go.

* That being said, even Vertigo are going to be running a Cross Over: Fables and Unwritten… It’ll hopefully be short, though, and does benefit from being comprised of two of my favourite comics.

Comics Round-Up – Constantine & Lucifer (DC, Vertigo)

Still haven’t been reviewing as many comics as I had been earlier in the year, but I recently started reading two very good series – one brand new and on-going (Constantine), one already completed (Lucifer). I enjoyed them both very much, so I thought I’d show them some brief love on the blog.

CONSTANTINE #1-4

Writer: Jeff Lemire & Ray Fawkes | Artist: Renato Guedes (#1-3), Fabiano Neves (#4) | Colors: Marcelo Maiolo

Liar, cheater, manipulator... John Constantine is all of these, and yet he uses these skills and more to protect the world from the darkest corners of the DC Universe.

Spinning out of both Hellblazer (which spanned 300 issues, and was Vertigo’s longest-running series) and also Justice League Dark, this series gives John Constantine its entire attention. I’ve only dipped in to Hellblazer, and certainly haven’t read nearly enough to consider myself overly familiar with the character or conversant with his part, but I enjoyed what I had read. The dark focus on the occult and supernatural were like catnip to me, and they were also what made me try Justice League Dark (which I have been enjoying quite a bit, too).

This series is written by Jeff Lemire, who also recently took over JL Dark. It’s a really good opening to the new series, I think, and we get a good introduction to Constantine’s character. It’s dark, deliciously so, and Constantine is his charming-anti-hero-self throughout. He’s not afraid of sacrificing others for the “greater good”, either – making him not a whole lot better than his antagonists. The end of #1 was particularly gruesome and startling, but these four issues are filled with visually and narratively stunning work. The main villains in this particular story (still incomplete at this stage) is the Cult of the Cold Flame, who have cropped up in JL Dark, too. I’ll certainly be reading more of this series. Recommended.

(Issue #5 is part of the Trinity War story-line, so I’ll be reviewing that as part of an Event review, in a few weeks’ time.)

*

LUCIFER, Vol.1 – “Devil at the Gates”

Writer: Mike Carey | Artist: Scott Hampton (Sandman Presents…) & Chris Weston | Inks: James Hodgkins | Colors: Daniel Vozzo

From the pages of THE SANDMAN, Lucifer Morningstar, the former Lord of Hell, is unexpectedly called back into action when he receives a mission from Heaven. Given free reign to use any means necessary, Lucifer is promised a prize of his own choosing if he fulfills this holy request. But once he completes his mission, the Prince of Darkness’ demand shakes the foundation of Heaven and Hell. Now as his enemies unite to stop his reemergence, Lucifer gathers his forces as he prepares to launch his new revolution.

Collects: Sandman Presents Lucifer #1-3, Lucifer #1-4

This is an excellent, independently intelligible spin-off from Neil Gaiman’s Sandman (of which I have only read the first book).

In the first of these two story-arcs, we join Lucifer at his Los Angeles club, Lux. I’m not really sure how to review this book. It’s excellent, certainly, and wonderfully dark. It reminded me of Richard Kadrey’s Sandman Slim series (which is excellent and highly recommended). Lucifer is called up to help out Heaven one last time, in return for a particularly generous reward. The former Lord of Hell sets off on a very strange, dream-like journey. People’s wishes are coming true, and the consequences are starting to become devastating. Teaming up with a “victim” of this plague of wish-granting, Lucifer needs to get to the bottom of the mystery, before the world wishes itself into chaos.

In the second story, the first of Lucifer proper, we begin in Hamburg, where a set of mystical Tarot cards tries to influence the world around it. We get some neo-Nazis, hate crimes, and all of the seven deadly sins exaggerated and enhanced by the influence of the Tarot cards. Lucifer intervenes, in order to bring balance back to the world.

I really liked the alternative location – for once, we weren’t in the USA or UK, which I certainly welcomed. It’s still early days, but we start to see how the series will shape up in the future. I don’t want to spoil things (from either of the two stories), so this is perhaps a rather thin, unsatisfactory review. Nevertheless, I think this is an essential read for anyone with a taste for the darker sides of fiction and comics. Heaven and Hell are popular tropes in speculative fiction, but Lucifer Vol.1 offers a genuinely original spin, and is both written and visualised brilliantly.

I liked this so much, I bought volume two before I had even finished it. I’ll be starting that very soon indeed, so will hopefully have a review up in the next week or two. Deliciously dark, this is a must-read.

Upcoming: “Coffin Hill” #1 (Vertigo)

I’m really looking forward to this. Out of all the “bigger” comics publishers, I am really falling for a lot of Vertigo series. COFFIN HILL, which will be published on October 9th 2013, looks like yet another series that will appeal to my (rather dark, twisted) taste.

The cover is by Dave Johnson, and the variant by Gene Ha. Inaki Miranda, who handles art duties on this title, is an awesome artist, and one of my favourite recent finds – she worked on Lauren Beukes’s excellent run on Fairest, and put together some of the most striking panels and full-page spreads I’ve ever seen.

Coffin Hill is written by Caitlin Kittredge (who I have no experience reading). Kittredge is the author of the Black London series.

COFFIN HILL stars Eve Coffin, a rebellious, teenage lowlife from a high-society family with a curse that goes back to the Salem Witch trials.

Following a night of sex, drugs and witchcraft in the woods, Eve wakes up naked, covered in blood and unable to remember how she got there. One friend is missing, one is in a mental ward—and one knows that Eve is responsible.

After a stint as a Boston cop that ends in a bullet wound and unintended celebrity, Eve returns to Coffin Hill, only to discover the darkness that she unleashed ten years ago in the woods was never contained. It continues to seep through the town, cursing the soul of this sleepy Massachusetts hollow, spilling secrets and enacting its revenge.

Set against the haunted backdrop of New England, COFFIN HILL explores what people will do for power and retribution.

Count me very much looking forward to this. This sounds great. As a bonus, here are the covers (without text, etc.) for the second and third issues:

Books Received (Three Weeks’ Worth! ’Twas Like Early Christmas…)

I was away for a couple of weeks, and when I returned home, I had a veritable jackpot in books waiting for me:

In the spirit of full-disclosure (and just in case it takes a while for me to get around to reading and reviewing them), here’s what turned up, and a few preliminary, pre-reading thoughts…

***

Kelley Armstrong, Omens (Sphere)

Twenty-four-year-old Olivia Taylor Jones has the perfect life. The only daughter of a wealthy, prominent Chicago family, she has an Ivy League education, pursues volunteerism and philanthropy, and is engaged to a handsome young tech firm CEO with political ambitions.

But Olivia’s world is shattered when she learns that she’s adopted. Her real parents? Todd and Pamela Larsen, notorious serial killers serving a life sentence. When the news brings a maelstrom of unwanted publicity to her adopted family and fiancé, Olivia decides to find out the truth about the Larsens.

Olivia ends up in the small town of Cainsville, Illinois, an old and cloistered community that takes a particular interest in both Olivia and her efforts to uncover her birth parents’ past.

Aided by her mother’s former lawyer, Gabriel Walsh, Olivia focuses on the Larsens’ last crime, the one her birth mother swears will prove their innocence. But as she and Gabriel start investigating the case, Olivia finds herself drawing on abilities that have remained hidden since her childhood, gifts that make her both a valuable addition to Cainsville and deeply vulnerable to unknown enemies. Because there are darker secrets behind her new home and powers lurking in the shadows that have their own plans for her.

I’ve only read a couple of Armstrong’s novels – and, strangely, not the ones I always wanted to… I discovered her Women of the Otherworld series around the time I started receiving ARCs from publishers, which meant I could never really justify buying them for myself. Then the later books in the series started turning up, and my sister pinched them (she did buy the first ones, you see). I did, however, read Armstrong’s two non-supernatural thrillers, ?? and ??, which I enjoyed a great deal. This novel is the start of a new series, so I’m hoping to read it very soon (and prevent my sister from liberating it first…).

*

Brenda Cooper, The Diamond Deep (Pyr)

What if a woman as strong and as complex as Eva Perón began her life as a robot repair assistant threatened by a powerful peacekeeping force that wants to take all she has from her?

The discovery ship, Creative Fire, is on its way home from a multi-generational journey. But home is nothing like the crew expected. They have been gone for generations, and the system they return to is home to technologies and riches beyond their wildest dreams. But they are immediately oppressed and relegated to the lowest status imaginable, barely able to interact with the technologies and people of the star station where they dock, the Diamond Deep.

Ruby Martin and her partner, Joel North, must find a way to learn what they need to know and to become more than they have ever been if they are to find a way to save their people.

I have sadly been unable to keep on top of all my reading from Pyr Books. I feel pretty bad about this, given how willing they are to send me review copies (not to mention how much I like their authors…). The previous book in this series, This Creative Fire, is one such missed book. I’ll do my best to catch up ASAP.

Also on CR: Interview with Brenda Cooper

*

Troy Denning, Crucible (Century)

Han Solo, Leia Organa Solo, and Luke Skywalker return in an all-new Star Wars adventure, which will challenge them in ways they never expected—and forever alter their understanding of life and the Force.

When Han and Leia Solo arrive at Lando Calrissian’s Outer Rim mining operation to help him thwart a hostile takeover, their aim is just to even up the odds and lay down the law. Then monstrous aliens arrive with a message, and mere threats escalate into violent sabotage with mass fatalities. When the dust settles, what began as corporate warfare becomes a battle with much higher stakes—and far deadlier consequences.

Now Han, Leia, and Luke team up once again in a quest to defeat a dangerous adversary bent on galaxy-wide domination. Only this time, the Empire is not the enemy. It is a pair of ruthless geniuses with a lethal ally and a lifelong vendetta against Han Solo. They will stop at nothing to control the lucrative Outer Rim mining trade—and ultimately the entire galactic economy. And when the murderous duo gets the drop on Han, he finds himself outgunned in the fight of his life. To save him, and the galaxy, Luke and Leia must brave a gauntlet of treachery, terrorism, and the untold power of an enigmatic artifact capable of bending space, time, and even the Force itself into an apocalyptic nightmare.

I’m rather behind on my Star Wars reading. I have to finish Fate of the Jedi, and then read Mercy Kill before I can get to this. Hopefully soon-ish. Interestingly, I was also able to find an early draft version of the cover. I think it’s rather good, so I decided to share it again here…

I may actually like this one better…

*

Mark Hodder, The Secret of Abdu el-Yezdi (Del Rey UK)

Burton & Swinburne return in a new series!

The Beast is coming. History will be remade.

Since the assassination of Queen Victoria in 1840, a cabal of prominent men-including King George V, HRH Prince Albert, Benjamin Disraeli, and Isambard Kingdom Brunel-has received guidance from the Afterlife. The spirit of a dead mystic, Abdu El Yezdi, has helped them to steer the empire into a period of unprecedented peace and creativity. But on the eve of a groundbreaking alliance with the newly formed Greater German Confederation, scientists, surgeons, and engineers are being abducted-including Brunel!

The government, in search of answers, turns to the Afterlife, only to find that Abdu El Yezdi is now refusing to speak with the living. Enter the newly-knighted Sir Richard Francis Burton, fresh from his discovery of the source of the Nile. Appointed the king's agent, he must trace the missing luminaries and solve the mystery of Abdu El Yezdi's silence. But the Beast has been summoned.

How can the famous explorer fulfill his mission when his friends and loved ones are being picked off, one by one, by what appears to be a supernatural entity-by, perhaps, Abdu El Yezdi himself?

I’ve never read any of Hodder’s series… I’m not entirely sure why. Maybe this will be the first? Anyone know if that’s not a good idea? Should I start from the very beginning, or can I just dive straight in?

*

Drew Karpyshyn, Children of Fire (Del Rey UK)

Long ago the gods chose a great hero to act as their agent in the mortal world and to stand against the demonic spawn of Chaos. The gods gifted their champion, Daemron, with three magical Talismans: a sword, a ring, and a crown. But the awesome power at his command corrupted Daemron, turning him from savior to destroyer. Filled with pride, he dared to challenge the gods themselves. Siding with the Chaos spawn, Daemron waged a titanic battle against the Immortals. In the end, Daemron was defeated, the Talismans were lost, and Chaos was sealed off behind the Legacy—a magical barrier the gods sacrificed themselves to create.

Now the Legacy is fading. On the other side, the banished Daemron stirs. And across the scattered corners of the land, four children are born of suffering and strife, each touched by one aspect of Daemron himself—wizard, warrior, prophet, king.

Bound by a connection deeper than blood, the Children of Fire will either restore the Legacy or bring it crashing down, freeing Daemron to wreak his vengeance upon the mortal world.

I’ve mentioned this on the blog before. I’m certainly interested in seeing what Karpyshyn has come up with. I enjoyed his Star Wars novels (at least, the Darth Bane books, which are the only ones of his that I’ve read). Hopefully get to this pretty soon.

*

Daniel Polansky, She Who Waits (Hodder)

Low Town: the worst ghetto in the worst city in the Thirteen Lands.

Good only for depravity and death. And Warden, long ago a respected agent in the formidable Black House, is now the most depraved Low Town denizen of them all.

As a younger man, Warden carried out more than his fair share of terrible deeds, and never as many as when he worked for the Black House. But Warden’s growing older, and the vultures are circling. Low Town is changing, faster than even he can control, and Warden knows that if he doesn't get out soon, he may never get out at all.

But Warden must finally reckon with his terrible past if he can ever hope to escape it. A hospital full of lunatics, a conspiracy against the corrupt new king and a ghetto full of thieves and murderers stand between him and his slim hope for the future. And behind them all waits the one person whose betrayal Warden never expected. The one person who left him, broken and bitter, to become the man he is today.

The one woman he ever loved.

She who waits behind all things.

Possibly my most-anticipated novel of the year. Ever since I read Straight Razor Cure/Low Town, and Tomorrow the Killing shortly thereafter, I have been impatient for this novel. Expect it to be read and reviewed very soon. If you haven’t read this series yet, I highly recommend that you do. It’s superb.

Also on CR: Interview with Daniel Polansky

*

Christopher Ransom, The Orphan (Sphere)

The truth is more terrifying than you can imagine. Darren and Beth Lynwood always dreamed of having a son, but when young amnesiac runaway Adam enters their lives, he brings with him a creeping darkness that threatens to engulf their family and everyone around them. When Adam's memories claw their way to the surface, Darren finds himself haunted by thoughts of his own childhood – and of a boy very much like Adam who was done an unspeakable wrong. As buried secrets are unearthed, the Lynwood’s happy home becomes the hunting ground for a relentless evil and an obsession that will not die. There’s no point locking the door. There’s no use shutting out the night. Because the orphan is already inside. Dare you read to the end of The Orphan? Discover the chilling new novel from the author of The Birthing House and The People Next Door.

I’ve never read anything by Christopher Ransom. Sounds pretty cool, though…

*

Michael J Sullivan, The Crown Tower (Orbit)

TWO MEN WHO HATE EACH OTHER. ONE IMPOSSIBLE MISSION. A LEGEND IN THE MAKING.

A warrior with nothing to fight for is paired with a thieving assassin with nothing to lose. Together they must steal a treasure that no one can reach. The Crown Tower is the impregnable remains of the grandest fortress ever built and home to the realm’s most valuable possessions. But it isn’t gold or jewels the old wizard is after, and this prize can only be obtained by the combined talents of two remarkable men. Now if Arcadias can just keep Hadrian and Royce from killing each other, they just might succeed.

Loved the Riyria Revelations, Sullivan’s original six-part series set in this world. The Crown Tower (and The Rose and Thorn) takes place prior to that series, and introduces us to Hadrian and Royce as they meet for the first time.

Also on CR: Interview with Michael J. Sullivan, Guest Posts – Gritty vs. Heroic Fantasy and History & Riyria

*

Adrian Tchaikovsky, War Master’s Gate (Tor)

Relentlessly advancing towards Collegium, the Empire is again seeking to break down its walls. The mighty imperial armies have learnt from their failures, and Empress Seda will brook no weakness in her soldiers. However, Stenwold Maker has earned his title, and the War Master has strategies to save his city. His aviators rule the skies – but the Wasp Kinden Empire has developed a terrifying new aerial weapon.

Yet the campaign may be decided far from marching armies and the noise of battle. In an ancient forest, where Mantis clans pursue their own civil war, the Empress Seda is seeking lost magic. Some dangerous shadow of old night is locked up among these trees and she is wants its power. Cheerwell Maker must stop her, at any cost, but will their rivalry awaken something far deadlier? Something that could make even their clash of nations pale into insignificance...

A series I have shamefully left un-caught-up… I plan to do a mega catch-up at some point in the near future. Perhaps one a month or something (I overdose easily). Hopefully in time so I am ready for the final book, when it’s published. Really enjoyed the first book in the series, Empire in Black & Gold.

Also on CR: Interview with Adrian Tchaikovsky, Guest Post

*

Lavie Tidhar, The Violent Century (Hodder)

They’d never meant to be heroes.

For seventy years they’d guarded the British Empire. Oblivion and Fogg, inseparable at first, bound together by a shared fate. Until a night in Berlin, in the aftermath of the Second World War, and a secret that tore them apart.

But there must always be an account... and the past has a habit of catching up to the present.

Recalled to the Retirement Bureau from which no one can retire, Fogg and Oblivion must face up to a past of terrible war and unacknowledged heroism, a life of dusty corridors and secret rooms; of furtive meetings and blood-stained fields, to answer one last, impossible question:

What makes a hero?

It’s Lavie, dealing with Super-Heroes and 20th Century history. Of course I’m interested in reading this. I’ll be reading it very soon. I’ve also seen a mock-up of the cover art, which I think is really cool. Can’t wait to see the final version.

[Disclaimer: I work for Lavie’s agent. Which means this is also ‘work’ reading. It’s a hard life…]

*

David Towsey, Your Brother’s Blood (Jo Fletcher)

Thomas is thirty-two. He comes from the small town of Barkley. He has a wife there, Sarah, and a child, Mary; good solid names from the Good Book. And he is on his way home from the war, where he has been serving as a conscripted soldier.

Thomas is also dead – he is one of the Walkin’.

And Barkley does not suffer the wicked to live.

I’ve mentioned Your Brother’s Blood on the blog before (as well as hosted an excerpt), and it’s one of my most-anticipated of 2013. Hope to get to this ASAP. The novel is due to be published in the UK on September 26^th 2013.

*

Helene Wecker, The Golem and the Djinni (HarperCollins)

If you were bewitched by The Night Circus…

If you were mesmerised by A Discovery of Witches…

If you were enthralled by Jonathan Strange & Mr Norrell…

You will be enchanted by

THE GOLEM & THE DJINNI

Chava is a golem, a creature made of clay, brought to life by a disgraced rabbi who dabbles in dark Kabbalistic magic. When her master, the husband who commissioned her, dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York in 1899.

Ahmad is a djinni, a being of fire, born in the ancient Syrian desert. Trapped in an old copper flask by a Bedouin wizard centuries ago, he is released accidentally by a tinsmith in a Lower Manhattan shop. Though he is no longer imprisoned, Ahmad is not entirely free – an unbreakable band of iron binds him to the physical world.

The Golem & The Djinni is their magical, unforgettable story; unlikely friends whose tenuous attachment challenges their opposing natures – until the night a terrifying incident drives them back into their separate worlds. But a powerful threat will soon bring Chava and Ahmad together again, challenging their existence and forcing them to make a fateful choice.

Having read none of those comparisons, I really don’t know what to expect from this novel. But it was available through Amazon Vine, so I thought why not? I’m certainly interested in reading it, as I try to mix up the genres I’m reading and featuring on the blog. The title is slightly (pointlessly) different in the US: The Golem and the Jinni (also published by Harper).

***

From the Library…

A new additional component of the Books Received posts – I will now include mention of anything I’ve picked up in the local library. Because… well, why not?

 

Richard Kadrey, Kill City Blues (Voyager)

James Stark, aka Sandman Slim, has managed to get out of Hell, renounce his title as the new Lucifer, and settle back into life in LA. But he's not out of trouble yet. Somewhere along the way he misplaced the Qomrama Om Ya, a weapon from the banished older gods who are also searching for their lost power.

The hunt leads Stark to an abandoned shopping mall-a multi-story copy of LA-infested with Lurkers and wretched bottom-feeding Sub Rosa families, squatters who have formed tight tribes to guard their tiny patches of this fake LA. Somewhere in the kill zone of the former mall is a dead man with the answers Stark needs. All Stark has to do is find the dead man, get back out alive, and outrun some angry old gods-and a few killers-on his tail.

I love this series. It’s dark, irreverent, funny, and has plenty of action and weird goings-on. This is book five, and each of the previous four was a strong addition to the series. Everyone should read it. Go on, what are you waiting for?

*

Astro City, Vol.1 – “Life In The Big City” (DC Comics)

Welcome to Astro City, a shining city on a hill where super heroes patrol the skies. Each chapter in this collection is a standalone story, highlighting different aspects or characters in the Astro City world. The city's leading super hero tries to be everywhere at once, and berates himself for every wasted second as he longs for just a moment of his own. A smalltime hood learns a hero's secret identity, and tries to figure out how to profit from the knowledge. A beat reporter gets some advice from his editor on his first day on the job. A young woman tries to balance the demands of her family with her own hopes and desires. Despite the fantastic settings, the characters in these slice-of-life stories feel like real people, and that gives the stories real power.

This series has just been re-booted/-launched by DC, so I figured it was a good time to start at the very beginning, and see what it was like before investing in the new series (which I think has reached #3).

*

Black Orchid (Vertigo)

Before introducing the modern version of The Sandman, Neil Gaiman wrote this dark tale that reinvented a strange DC Comics super hero in the Vertigo mold. Featuring spectacular art by Gaiman's frequent collaborator, Dave McKean, BLACK ORCHID is now collected in a deluxe trade paperback

After being viciously murdered, Susan Linden is reborn fully grown as the Black Orchid, a hybrid of plant and human, destined to avenge her own death. Now, as this demigoddess attempts to reconcile human memory and botanical origins, she must untangle the webs of deception and secrets that led to her death. Beginning in the cold streets of a heartless metropolis and ending in the Amazon rainforest, this book takes the reader on a journey through secrets, suffering and self-rediscovery.

I’ve never read this, but I’ve heard a lot of great things. After reading my first volume of Sandman, too, I’m interested in reading a lot more of Gaiman’s comic-work. So when I saw this on the shelf, I picked it up right away – after all, where better to start than at the beginning?

“Cuckoo’s Calling” Art an Homage to Hellblazer? Also, some BAD Journalism.

Not sure why, but the cover art for Robert Galbraith/JK Rowling’s The Cuckoo’s Calling makes me think of Vertigo Comics’ John Constantine/Hellblazer covers.

The shadowy figure scuttling away, the antique lamppost, the fire-like smog/smoke, the iron wrought fence, London… Ok, so the colour palette is a shade more chirpy than John Constantine’s covers, but if you were to darken it and swap out the birds for bats… Think it would work brilliantly. Below is the closest Hellblazer cover I could find after an admittedly very brief Googling session (by Simon Bisley)…

Incidentally, we were finally able to get a copy of The Cuckoo’s Calling (since the big reveal, all of my local booksellers have an abundance of copies), and Alyssa blitzed through it in a single day. She said it was really good. I’ll try to get to it in the next couple of weeks, but I can’t promise anything. (Too. Many. Awesome. Books. To. Read.)

Also, in related news, the article in last week’s Sunday Times about the revelation that “Robert Galbraith” was really JK Rowling was the worst bit of journalism I’ve read in a long while. The article is behind the pay-wall, but here are two choice bits that irked me. First of all, the author of the piece was really scraping the barrel, claiming Rowling-as-Galbraith was an elementary deduction, making the article little more than a piece of I-Am-More-Awesomely-Deductive-Than-Thou puffery. The “killer clue” that tipped them off? Yeah, someone told her outright! But after that, the journalist insists,

“Of course it was JK Rowling. There are only two female authors who could write convincingly about the excesses of super-rich, super-glamorous London… There are only two female authors who could write totally persuasively about being chased by paparazzi and write compassionately about being famous. One is Zadie Smith; the other is JK Rowling. I know Zadie and I knew it wasn’t her…”

So, a nice spot of celebrity name-dropping, and a single-handed writing off of 99.99% of female authors who may wish to ever write about high society in the UK. The Sunday Times has spoken: you will never do it convincingly. If you are male? Well, forget it, too. According to the author of the ST piece, men can’t write women well enough or convincingly. The idea that a debut author couldn’t have done this? Unbelievable. The article got worse, however:

“It all became so obvious: the themes of the books are Rowling’s and are subjects she addressed in last year’s The Casual Vacancy – and in the Harry Potter books: noble small people; ghastly, spoilt wealthy ones; social injustice; race; poverty; being in the wrong family…”

So, going by this ‘logic’, Rowling also wrote Gossip Girl… These are universal, as-old-as-time literary themes, and are not the sole (or even rare) province of Hogwarts…

Fairest, Vol.2 – “Hidden Kingdom” (Vertigo)

Writer: Lauren Beukes (#8-13), Bill Willingham (#14) | Art: Inaki Miranda (#8-13, finishes #14), Barry Kitson (#14) | Colors: Eva de la Cruz (#8-13), Andrew Dalhouse (#14)

Rapunzel lives one of the most regimented lives in Fabletown, forced to maintain her rapidly growing hair lest her storybook origins be revealed. But when word of her long-lost children surface, she races across the sea to find them – and a former lover.

Collects: Fairest #8-14

Ever since I bought Fables Deluxe Vol.1, I have been in love with Willingham’s fantasy series (and everything connected to it). Then Fairest started in 2011, and I found a new comic addiction. This second collection collects award-winning-author Lauren Beukes’s run on the series handling writing duties. And it’s absolutely superb.

[NB: There are some slight spoilers in the review!]

Art: Dream & Death, from the SANDMAN

Art by Eduardo Risso. Only just tried Sandman, and I rather liked it. Expect more coverage to appear on the blog as-and-when I can get more books in the series read. I’ll also be checking out the spin-off series, if possible.

Sandman, Vol.1 – “Preludes & Nocturnes” (Vertigo)

The Start of the Classic, Hugely Popular Comic Series

Writer: Neil Gaiman | Artists: Sam Keith, Mike Dringenberg & Malcolm Jones III | Colorist: Daniel Vozzo

An occultist attempting to capture Death to bargain for eternal life traps her younger brother Dream instead. After his 70 year imprisonment and eventual escape, Dream, also known as Morpheus, goes on a quest for his lost objects of power. On his arduous journey Morpheus encounters Lucifer, John Constantine, and an all-powerful madman.

This book also includes the story “The Sound of Her Wings” which introduces us to the pragmatic and perky goth girl, Death.

Collects: Sandman #1-8

This book starts with a great, century-spanning first chapter/issue, as Morpheus is summoned, trapped, and held captive for generations. The atmosphere and writing is superb, and it’s not difficult to see why this series grabbed so much attention when it first started. I was absolutely sucked into Gaiman’s story.

The first storyline is, effectively, a quest tale. After the first chapter, Morpheus is freed (that’s not really a spoiler), and sets out to reclaim three precious, powerful items that were taken from him. These are the items that make him who he is, allow him to perform the role of the Sandman. Gaiman has, however, populated his story with so many weird-and-wonderful creations and characters from mythology, literature and fable. At first, he must relocate his pouch of sand (in this chapter he meets Constantine – a very dark story towards its end, and very cool); then his helm (which requires a trip to a very twisted Hell to see Lucifer), and finally his ruby amulet (a really twisted story about a serial-killer with mind-control powers).

The series was re-coloured, recently.
Here are two examples of the re-done pages (above and below): new on the left.

I was surprised to see some other DC characters appearing: John Constantine, Etrigan (that most garish of DC demons), and some members of the Justice League. I had always been under the impression that Sandman was a wholly original title and character, taking place in a new setting. The book and story don’t suffer for these cameos, though. I was just surprised. Maybe I should have investigated it a little more beforehand…?

Enter, Constantine [#3]

The story is, as I’ve mentioned, quite superb to begin with, and I found myself almost immediately hooked. “One more chapter” became three, and then all eight. I lingered over so many pages and panels, and got completely sucked in. Things change mid-way through, a bit, and got much weirder. Not bad-weird, just… weird. (Minus one for Eloquence…) The artwork also shifts to something often less clear and inconsistent. There's a rawness to it, though, that I can certainly see appealing to many people. Would I have preferred something a bit more conventional? Certainly, but it can’t be denied that the artwork packs a good amount of punch as well.

The Sandman prepares to go to Hell… [#4]

Not bad, but not as amazing as I had expected. This shouldn’t be a surprise, though, given just how popular this series has become. I really like Death (quite looking forward to getting around to reading her mini-series). Despite the couple of minor niggles, I’m really interested in reading the rest of the series, as well as its various spin-offs.

A classic of the genre and medium, this is certainly recommended.

Enter, Death [#8]

Art: FAIREST #14 (Vertigo)

I just saw this on CBR, as part of an other-wise black-and-white preview for Fairest #14, and really wanted to share it. This excellent, atmospheric piece is Adam Hughes’s cover for the Bill Willingham-penned issue from the very good Fables spin-off series:

Fairest #14 is billed as a “special issue”, written by Willingham (who created Fairest and Fables) and features internal art by Barry Kitson. Here’s the synopsis:

Dating is hard for everyone in this standalone tale — but it’s especially tricky if you’re a gorgeous tree nymph from Fabletown. Princess Alder tells her tales of woe to Reynard the fox

Fairest #14 will be published April 3rd 2013.

iZombie, Vol.1 – “Dead to the World” (Vertigo)

Writer: Chris Roberson | Artist: Michael Allred

Told from a female zombie’s perspective, this smart, witty detective series mixes urban fantasy and romantic dramedy.

Gwendolyn “Gwen” Dylan is a 20-something gravedigger in an eco-friendly cemetery. Once a month she must eat a human brain to keep from losing her memories, but in the process she becomes consumed with the thoughts and personality of the dead person – until she eats her next brain. She sets out to fulfill the dead person’s last request, solve a crime or right a wrong. Our zombie girl detective is joined by a radical supporting cast: her best friend Eleanor, who happens to be a swinging ’60s ghost, a posse of paintball blasting vampires, a smitten were-dog and a hot but demented mummy.

Collects: iZombie #1-5

I’d heard a lot of good things about iZombie before I read it, and when I was in my local library, I saw they had this first volume. Not one to pass up a chance to read something new, I borrowed it, and actually really enjoyed it. It wasn’t quite what I was expecting, either. This is quite fun.

DC Comics: Latest Cancellations

DC Comics has been wielding its Axe of Cancellation once again, with a slew of titles getting dropped. First up, announced a couple months ago, will be the sixteenth and final issues this month from Blue Beetle, Grifter, Frankenstein Agent of S.H.A.D.E., and Legion Lost.

According to CBR, it’s not surprising that Blue Beetle and Grifter have been dropped, given that they “are definitely the lowest-selling books in the New 52”. It is a pity, however, as I rather enjoyed Grifter. Blue Beetle is a series I’ve been meaning to read, but I’ve decided to wait for the second and final collected edition to be released, and then I’ll maybe do a double review or something. I’ll probably do the same for Frankenstein Agent of S.H.A.D.E.

Of the latest four cancellations to be announced, I really like two and have mixed feelings about another (the fourth I haven’t read and have no interest in doing so): I, Vampire and Paul Cornell’s Saucer Country (actually published through Vertigo) are the two I will be sad to see go. Both of them are superb, I thought, and I don’t understand why they haven’t been garnering enough interest to keep them alive. The former is a dark, beautifully illustrated horror comic, and the latter is an innovative, gripping mash-up of alien abduction lore and American presidential politics. Who wouldn’t like those?

DC Universe Present is a bit of a mixed bag: I enjoyed the first story-line from this variety series (featuring Deadman), but really didn’t enjoy the second story-line (Challengers of the Unknown). I’ve been keeping an eye on the recent story-lines and featured characters, and it actually looks quite good. I’ll pick up the final volume. The all-ages series Superman Family Adventures will also come to an end, but I don’t have any interest in reading that. These series will cease with their April 2013 issues.

Interview with PAUL CORNELL

Paul Cornell has written some great comics (Demon Knights and Saucer Country most recently, but also Action Comics and more), as well as for Dr Who and other fiction. With the release of his latest novel, London Falling, I thought it would be a perfect time to ask him about some of his recent work. In this interview, we learn more about Paul’s writing, his thoughts on genre, and I also discover that he’s no longer writing one of my favourite series…

Saucer Country, Vol.1 – “Run” (Vertigo)

Writer: Paul Cornell | Artists: Ryan Kelly, Jimmy Braxton (pp.117-136), Goran Sudzuka (pp.138-143) | Colors: Giulia Brusco, Lee Loughridge, Cris Peter

Arcadia Alvarado, the leading Democratic candidate for President of the United States, says she was “abducted by aliens.” As the Mexican-American Governor of New Mexico, she’s dealing with immigration, budget cuts and an alcoholic ex. She’s about to toss her hat into the ring as a candidate for President in the most volatile political climate ever. But then... a lonely road and a nightmarish encounter have left her with terrible, half-glimpsed memories. And now she has to become President. To expose the truth – and maybe, to save the world. With the help of her quirky staff, Arcadia will pursue the truth of her abduction into danger, mystery and awe.

Collects: Saucer Country #1-6

Saucer Country, one of Vertigo’s late-2012 new series, is a brilliant, dark thriller that blends UFO mythology with American political intrigue. The series started shortly before the 2012 Presidential election, which was very nicely timed. Gripping and very well-produced, this is a great read. Saucer Country is one of my favorite new series.

Fairest, Vol.1 – “Wide Awake” (Vertigo)

Writer: Bill Willingham & Matthew Sturges | Artist: Phil Jimenez, Andy Lanning, Steve Sadowski, Mark Farmer, Andrew Pepoy & Shawn McManus | Colours: Andrew Dalhouse & Shawn McManus

Balancing horror, humor and adventure in the FABLES tradition, FAIREST explores the secret histories of Sleeping Beauty, Rapunzel, Cinderella, The Snow Queen, Thumbelina, Snow White, Rose Red and others.

The first 6-issue tale follows the misadventures of Briar Rose immediately after the events of FABLES #107 (collected in FABLES VOL. 16: SUPER TEAM), in which she was stolen away by the goblin army.

The first issue of Fairest was the first comic I’d read written by Bill Willingham. Since then, I’ve read the first five Deluxe editions of Fables, his expansive re-interpretation of fairy tales transposed onto a contemporary setting (New York, for example). He has quickly become one of my favourite comics writers. With a bit more Fables under my belt, I was a little better informed about some of the content of Fairest. This is a superb series.