Showing posts with label Political. Show all posts
Showing posts with label Political. Show all posts

Monday, September 30, 2013

“House Odds” by Mike Lawson (Atlantic)

Lawson-08-HouseOddsThe Latest Joe DeMarco Political Thriller

Washington D.C. fixer Joe DeMarco has been asked to handle a lot of difficult situations over the years for his boss, congressman John Mahoney. But nothing has ever been quite so politically sensitive, or has hit so close to home, as the task Mahoney hands DeMarco now.

Mahoney’s daughter, Molly, has been arrested and charged with insider trading. An engineer with a high-flying technology firm, she allegedly placed a half-million dollar bet on one of the firm’s clients. DeMarco’s job is to clear Molly’s name and keep his boss clean. But how did Molly get her hands on so much money to invest in the first place? Before long, DeMarco uncovers that there’s far more to Molly’s case than meets the eye, and the risk to Mahoney is more than just a little political embarrassment.

In this eighth novel featuring Congressional fixer Joe DeMarco, we get a look at the sordid underbelly of Beltway politics, complete with manipulative gangsters and politicians, crooks and thieves. I’m a big fan of this series, ever since I read the first in the series, The Inside Ring in a single day. Each new novel has been an addictive, well-written and expertly-plotted thriller. House Odds is no exception.

Saturday, September 28, 2013

On “OLYMPUS HAS FALLEN”, “TRANSFER OF POWER” & an Author Appreciation

OlympusHasFallen-TransferOfPower

Director: Antoine Fuqua | Writers: Creighton Rothenberger, Katrin Benedikt | Cast: Gerard Butler, Aaron Eckhart, Morgan Freeman, Dylan McDermott, Rick Yune, Angela Bassett

I finally Watched OLYMPUS HAS FALLEN, tonight. I thought it was really good, too. A political Die Hard for the modern age, perhaps? The movie is action-packed, very well-paced (I never got bored, and never felt like the screenplay or movie as a whole was padded with anything that was unnecessary). It is quite brutal, though – but in a “realistic way”, if that makes sense? Gerard Butler (the hero, and a member of the Secret Service) offers a very good portrayal of a hyper-efficient, highly-trained killer (former special ops, etc.). There’s no “flash” to the fight scenes, he doesn’t suddenly break into any wire-work or seamless, stylised martial arts. It’s quite chilling, in its brutal directness. Here’s the extended trailer…

So. Why is there a picture of Vince Flynn’s TRANSFER OF POWER? Well, because there are some startling similarities. Transfer was the first Flynn novel I read, and introduces readers to Mitch Rapp, the CIA’s best operative (translation: assassin). Here’s the synopsis:

What if America’s most powerful leader was also its prime target?

On a busy Washington morning, the stately calm of the White House is shattered as terrorists gain control of the executive mansion, slaughtering dozens of people. The president is evacuated to an underground bunker, but not before nearly one hundred hostages are taken. One man is sent in to take control of the crisis. Mitch Rapp, the CIA’s top counterterrorism operative, determines that the president is not as safe as Washington's power elite had thought. Moving among the corridors of the White House, Rapp makes a chilling discovery that could rock Washington to its core: someone within his own government wants his rescue attempt to fail.

Monday, June 04, 2012

“Supreme Justice” by Phillip Margolin (Harper)

Margolin-W2-SupremeJusticeIntrigue & Corruption at the Supreme Court

Sarah Woodruff, on death row in Oregon for murdering her lover, John Finley, has appealed her case to the Supreme Court just when a prominent justice resigns, leaving a vacancy.

Then, for no apparent reason, another justice is mysteriously attacked. Dana Cutler – one of the heroes from Margolin’s bestselling Executive Privilege – is quietly called in to investigate. She looks for links between the Woodruff appeal and the ominous incidents in the justices' chambers, which eventually lead her to a shoot-out that took place years ago on a small freighter docked upriver in Shelby, Oregon, containing a dead crew and illegal drugs. The only survivor on board? John Finley.

With the help of Brad Miller and Keith Evans, Dana uncovers a plot by a rogue element in the American intelligence community involving the president's nominee to the Supreme Court, and soon the trio is thrown back into the grips of a deadly, executive danger.

This is the second novel in Margolin’s Washington Trilogy (the first was Executive Privilege), and it continues the series in very fine form. The novel reunites us with Brad Miller and Dana Cutler – the former is now a clerk at the Supreme Court, while Dana continues to work as a private investigator and also some-time reporter for Exposed, the supermarket tabloid our protagonists turned to in their previous novel. Supreme Justice has a couple of great twists and red herrings, as well as political and courtroom intrigue. This is a pretty solid, entertaining and gripping political/legal thriller.

Monday, May 02, 2011

“Hell’s Corner” by David Baldacci (Macmillan)

Baldacci-HellsCornerUKThe Camel Club return, in their most difficult and confusing case, yet.

Oliver Stone – once the country’s most skilled assassin – stands in front of the White House, perhaps for the last time. The president has personally requested that Stone serve his country again on a high-risk, covert mission. Though he’s fought for decades to leave his past career behind, Stone has no choice but to say yes.

But Stone’s mission changes drastically before it even begins. It’s the night of a state dinner honouring the British prime minister. As he watches the prime minister’s motorcade leave the White House, a bomb is detonated in an apparent terrorist attack against both leaders. It’s in the chaotic aftermath that Stone takes on a new, more urgent assignment: find those responsible for the bombing.

Stone’s opponents are elusive, capable, and increasingly lethal. Worst of all, it seems that the park bombing may just have been the opening salvo in their plan. With nowhere else to turn, Stone enlists the help of the only people he knows he can trust: the Camel Club. Yet that may be a big mistake.

In the shadowy worlds of politics and intelligence, there is no one you can really trust. And Hell’s Corner truly lives up to its name. This may be Oliver Stone’s and the Camel Club’s last stand.

Out of all of Baldacci’s series, the Camel Club novels are by far my favourite: The motley band of sleuths and conspiracy theory junkies who have grown over the course of five novels into quite the diverse and capable band of crime solvers, complete with endearing quirks and a hard-nosed and noble former government assassin (who goes by the name ‘Oliver Stone’) as their nominative leader. With Hell’s Corner, Baldacci has written yet another fast-paced and enjoyable thriller, but also one that has a bit of a shaky start, not quite living up to its predecessor, Divine Justice.

Saturday, September 18, 2010

“House Justice”, by Mike Lawson (Atlantic Monthly Press)

Lawson-HouseJustice A press-leak, a CIA asset killed, a quest for vengeance and accountability

An American defence contractor attempts to sell US missile technology to the Iranians — and the CIA knows all about it thanks to a spy in Tehran. But then the story is leaked to an ambitious journalist and the spy is exposed, brutally tortured, and executed.

Furious, CIA Director Jake LaFountaine isn’t about to let the death of his spy go unpunished. A valuable asset has been callously sacrificed, and he’s going to find out who did it no matter how many rules he has to break. DeMarco’s boss, Speaker of the House John Fitzpatrick Mahoney has his own reasons to get to the bottom of the leak: he once had a fling with the journalist, and now that she’s in jail for refusing to reveal her source, she’s threatening to expose their affair unless he helps get her out.

DeMarco and the CIA aren’t the only ones looking for the source of the leak. Someone else wants to avenge the spy’s death and is tailing DeMarco, hoping DeMarco will lead him to his prey.

A CIA asset in Iran has been outed and executed. The culprit needs to be found. The Tyler & Tyler firm, attempting to negotiate an arms technology deal with Iran, getting them the tech they need to improve guidance systems of their missiles, seems to be in the middle of the political shit-storm that erupts.

Sandra Whitmore, the author of the news piece that revealed the identity of the CIA spy, has suggested it was a member of the CIA who gave her the asset’s name, and that the spooks had been covering up the story and operation.

What gets Joe DeMarco (and his irascible boss) involved in the case, is when the Director of the CIA goes on television and points the finger instead at Congress, who were briefed and fully aware of the operation. Naturally, DeMarco’s boss, John Fitzpatrick Mahoney, Speaker of the House wants to prevent any embarrasment for his party and also Congress as a whole (experiencing, as in real life, rock-bottom support from the public). Mahoney is a great character. The best description of him is offered by his secretary of almost thirty years, Mavis:

“He was an alcoholic and womanizer and played dangerous games with the taxpayers’ money, money that he treated as his own. He was lucky other people didn’t know what she knew; if they did, he would probably be serving time in federal prison.”

There is something of the Judith Miller scandal (also re-created in a Kate Beckinsale movie) to the first half of this novel. The Miller-Plame case is mentioned, but instead of just naming a spy, as Miller did, Whitmore’s story results in a spy’s death. In other words, a whole new world of trouble. It’s cases like these that really show the arrogance and self-important, self-serving martyr complex of certain journalistic ‘celebrities’. Lawson deals with this very well. Despite her wish to be a paragon of journalistic martyrdom, Whitmore doesn’t want to be in prison, so she is blackmailing Mahoney (they conducted an affair, back in the day) to pull strings to get her sprung. Enter DeMarco, who’s sent by the Speaker to stop her talking and try to free her. As DeMarco sneers at her, “So you wanna be a martyr but you’re not willing to burn at the stake.”

The CIA and Mahoney are not the only factions interested in the case, however, which makes life difficult and dangerous for DeMarco. An assassin we only know as “The Florist” has been pulled out of retirement to do a job involving the Whitmore case – specifically, to avenge the death of the spy. After he discovers DeMarco’s visit to Whitmore, he starts taking an interest in Joe’s own investigation, and starts to follow him. Meanwhile, members of Tyler & Tyler, and various peripheral associates and hired-guns, are trying to cover their tracks by tying up loose ends and silencing potential leaks. Eventually, DeMarco is paired up with a CIA agent to exact revenge on those who caused Mahata’s death. Joe finds himself experiencing serious reservations about both the CIA’s methods and also ultimate objectives. It’s certainly a look at the darker, less-idealised side of American politics and homeland defence.

Lawson’s novels are dependable thrillers: interesting, detailed, with realistic characters, great Washington politics and intrigue. The author has a great gift for portraying DC politics: it’s not comical, it’s not caricatured, but it also doesn’t put a shine on things that do anything but sparkle.

House Justice is a novel of two parts – events around the middle set DeMarco on a different course, with a different investigation and agenda (the result of a CIA-Mahoney alliance). The stakes are higher and the enemy more deadly. Lawson does a good job of keeping the novel rattling along, but when the first ‘part’ was over, there was a slight dip in momentum as the second part picks up and is developed. It’s a pity, as usually I can sit and read a DeMarco novel very quickly. House Justice therefore has a different feel to previous novels, but it is by no means less enjoyable.

House Justice is a classic DeMarco thriller: fascinating and realistic characters, inside-the-beltway intrigue, and a well-thought-out plot sprinkled with surprises. I must admit that I tend to prefer my thrillers with a little more pace, and this is where House Justice differs from previous volumes in the series. At times this felt a little too leisurely for the genre, but it does help set a tone for DeMarco’s jobs (nowhere near as exciting in real life as we’re led to believe by Hollywood). The plot feels spun-out, but the ending is satisfying as all the threads are pulled together well.

If you like Washington-based political thrillers, then House Justice should certainly appeal. Lawson is one of the better authors producing such novels, and even though this novel was slower than I might have hoped, he continues to display why he is ahead of the pack.

For fans of: Kyle Mills, Vince Flynn, Brad Thor, Joseph Finder, Tom Clancy, Andrew Britton, James Twining

Monday, May 17, 2010

“Shadow of Power”, by Steve Martini (Harper)

Martini-ShadowOfPowerAn Intelligent Thriller, let down by unfortunate Pacing Issues

A writer is savagely slain while on a publicity tour – a literary provocateur who craved headlines, but whose last book may have gone too far. His revelations about secret language buried in the U.S. Constitution – and hints about an explosive missing letter of Thomas Jefferson’s – may be enough to cause an irreparable tear in the fabric of the nation… and perhaps drove a volatile youth to homicide.

But Paul Madriani thinks a troubled young man with dark connections has been chosen as a scapegoat to cover up something far deadlier that festers in America’s political heart. And in the wake of the strange disappearance of a Supreme Court Judge, Madriani must survive long enough to find the devastating answers hidden in the shadow of power.

I must first admit to taking a long time to figure out what all the fuss is about, here. The ‘firebrand’ author has written a book about the fact that the language of slavery (the 3/5ths rule, the Fugitive Slave Clause, and so forth) is still in the US Constitution, even though Amendments have made it ‘dead letter law’. Because of this book, riots and new calls for revolution are reverberating around the media and agitated and concerned citizens. Ok, fine. But why is it such a big deal? As lead protagonist Madriani says, “Since none of this is new – that language has been there for what, going on two and a half centuries? – why now?” Thankfully, Martini does do a good job of explaining it, even though I do consider it a weaker premise than could have been formulated.

One thing that I noticed very early on is that Martini is a very gifted writer: his prose, while not as fast-paced as Grisham’s or Sandford’s, are crafted to draw you along with the story; offering just enough to keep you reading; revealing just enough to keep you guessing. The historical detail is superb, and because of my own existing interest in all things American, added another element and further layers to the novel that engaged me. Equally, Martini offers lots of commentary and explanation of legal practices, tactics and specifics, which certainly helped expand my knowledge of US criminal law.

For this reason, the afterword is also excellent, shining a light on the history of the ‘Jefferson Letter’ and the Founding Fathers’ deliberations and struggles with the slavery issue. I must say, I always like it when authors provide such afterwords (James Rollins and David Baldacci's are always of particular interest).

That being said, there was one major weakness with the novel, and that’s the issue of pacing. Specifically, that it is uneven: at times, things move along briskly and I found myself sinking into the story, but at other times it dragged as the author gets bogged down in passages of detail, legalities, and history - all interesting, but at times the delivery was overly clunky. The scenes in the courtroom, too, sometimes drag on, as Madriani seems to play ‘gotcha’ with almost all the witnesses for the prosecution. The most interesting bits were in between court scenes, as Madriani and his partners search for Justice Ginnis and the ‘J Letter’, when the novel was more ‘political intrigue’ and less ‘legal thriller’.

If the pacing had been streamlined, then Shadow of Power would have been an excellent novel: believable characters, and interesting and intelligent plot, and excellent prose-writing.

This was my first novel by Martini, and I’d be willing to accept that I was perhaps hoping for something more akin to John Grisham and John Sandford, something more thrilling. I will, however, be reading at least one more novel by the author: I already own the eBook for the next in the series, Guardian of Lies, which appears to be another thriller with historical roots (that the CIA is involved in the conspiracy only makes it more enticing).

For Fans of: John Sandford, John Grisham, Scott Turow, Kyle Mills, James Twining, David Baldacci, William Bernhardt, Stuart Woods, Richard North Patterson, David Silva, Christopher Reich

Friday, April 16, 2010

“True Blue”, by David Baldacci (Macmillan)

Baldacci-TrueBlue[  UK  /  US  ]

A mysterious pair of seemingly-unrelated homicides in the nation's capital and a disgraced cop collide with the darker side of National Security

Mason “Mace” Perry was a firebrand cop on the D.C. police force until she was kidnapped and framed for a crime. She lost everything — her badge, her career, her freedom — and spent two years in prison. Now she’s back on the outside and is focused on one mission: to be a cop once more.

Her only shot to be a true blue again is to solve a major case on her own, and prove she has the right to wear the uniform. But even with her police chief sister on her side, she has to work in the shadows: a vindictive US attorney is looking for any reason to send her back behind bars.

Then Roy Kingman enters her life. Kingman is a young lawyer who aided the poor until he took a high-paying job at a law firm in Washington. Mace and Roy meet after he discovers the dead body of a female partner at the firm.

Their investigation into the lawyer's death reveals surprising secrets from both the private and public world of the nation's capital, and what began as a fairly routine homicide investigation takes a terrifying and unexpected turn into something complex, diabolical, and possibly lethal.

I was a little apprehensive about True Blue, it must be said. The main reason is that I tend not to like female protagonists written by men. Perhaps with the one exception of Arthur Goldman’s geisha in Memoirs of a Geisha, I don’t recall ever reading a main female protagonist who was anything other than a caricature of women. Take Lindsey Boxer, for example, from James Patterson’s wildly successful Women’s Murder Club series – she’s overly emotional to the point of ridiculousness (no woman I know cries that much and about half the things she cries about), and I have been unable to read any volume in the series since 5th Horseman (the ninth instalment of the series will be released soon).

In True Blue, Mace Perry is an entirely different woman. Firstly, and more importantly, she’s entirely realistic. She’s tough without being mannish, she doesn’t cry at everything, and she’s just… well, normal. Mostly. Her single-minded interest in becoming re-instated adds colour and explanation to her unwise actions, as she breaks and bends rules left-and-right (not to mention her abuse of her sister’s position as D.C. policy chief) to prove she is still good enough to be a Blue.

Roy Kingman is an equally appealing character, idealistic but also not immune to the lure of money (which is why he quit his CJA job for a cushy position in a law firm specialising in out-of-court deals). The dynamic that develops between Mace & Roy is interesting. It's not really made clear why he tags along with her to begin with, although it could be because his job is dull and that can’t be an easy thing for a former basketball star or CJA to live with – so maybe his interest in her starts as a result of boredom, as she barges in and accuses him (twice) of murdering his colleague. What happens between the two of them seems perfectly natural, and there’s no ridiculous or frothy puppy-love or swooning which, considering Baldacci is oh-so frequently (and erroneously) placed alongside Patterson, is a most welcome thing.

Even the ‘bad-guys’ aren't as uncomplicated as that might suggest. Questions about national security, black-ops, doing what’s necessary, the ease with which these can be manipulated (through malicious intent or not)... All these are themes that are brought up in True Blue. A couple of the antagonists are also humanised when we see them in their home/family environment, questioning their superiors and worrying about the morality of their mission.

Baldacci is really very good at writing thrillers that reveal just enough to keep you guessing, just enough to keep you reading, and yet still have an attention to detail and character development that makes this a satisfying, intelligent, and engaging read.

All new authors wishing to make it in this genre should read this and take notes. I still think he’s one of the best in the business. The plot is very good, rattling along at typically fast pace – Baldacci’s books are usually typified by excellent pacing and tight writing, and this is no exception.

Very highly recommended, this is one of Baldacci’s finest.

For fans of: John Sandford, Kyle Mills, Andrew Britton, Tom Clancy, Alex Berenson, Brett Battles

Saturday, January 02, 2010

The Obligatory Top 5’s…

… being a list of the top five novels (by genre) that I read in 2009 – this does mean a couple are technically 2008 releases, but sue me: it’s my blog I can do what I want. There’s no particular order to the lists, they’re just my favourite thrillers, science-fiction and fantasy novels.

POLITICAL THRILLERS

Vince Flynn – Pursuit of Honor & Extreme Measures

Charles Cumming – Typhoon

CummingTyphoon3

Brett Battles – The Deceived

Alex Berenson – The Silent Man

Mike Lawson – House Secrets

GENERAL THRILLERS & CRIME

Jesse Kellerman – The Brutal Art

Mark Gimenez – The Common Lawyer & The Perk

GimenezCommonLawyer3

James Rollins – The Last Oracle

John SandfordWicked Prey

James PattersonCross Country

FANTASY

Kevin J. Anderson – The Edge of the World

Anderson1EdgeOfTheWorld3

Richard Morgan – The Steel Remains

Alan Campbell – God of Clocks

Terry Pratchett – Unseen Academicals

Mark Charan Newton – The Nights of Villjamur

SCIENCE-FICTION

Dan Abnett – Blood Pact

AbnettBloodPact2

Michael Rubens – The Sheriff of Yrnameer

Troy Denning – Invincible

Chris Wooding – Retribution Falls

I’ve not actually read that much science fiction this year, so I shall use the final pick for a different genre selection, for a book that took me pleasantly by surprise…

FICTION

Ethan Canin – America America

CaninAmericaAmerica3

In truth, there were a lot of good novels that I read during 2009, so the existence of this list, while it has the cream of the crop, should not by any means dissuade you from reading the other books featured on the website. 2010 is shaping up to be an interesting year for books, too. Keep checking back for more reviews and posts (of which we’ll be having more, about random book-related things – and hopefully a few guest bloggers, too, if I can convince them to contribute).

Sunday, December 20, 2009

“Pursuit of Honor”, by Vince Flynn (Simon & Schuster)

VinceFlynn-PursuitOfHonor

Rapp faces terrorists loose in the US, a CIA mole, and a hostile political climate

Pursuit of Honor picks up six days after the events that brought Extreme Measures to a close: A series of explosions has ripped through Washington, D.C., targeting the National Counterterrorism Center and other government officials – and, as a result of a particularly evil tactic, the attacks have killed almost 200 people, including public officials, CIA employees, and rescue workers. It was an act of considerable violence that calls for extreme measures in response from elite counterterrorism operative Mitch Rapp and his trusted team member and protégé, Mike Nash.

Now that the initial shock of the attack has passed, key Washington officials are up in arms over whether to go after the agents who put their lives on the line and stepped into the path of the enemy’s bullets, saving countless American lives, without any thought of potential legal consequences. Not for the first time, Rapp finds himself in the infuriating position of having to explain the realities of national security to career politicians whose comfortable view from the sidelines is inevitably obstructed and heavily influenced by their own parochial, electoral and media concerns. On top of this, someone is leaking secrets about CIA operations to the press and elected officials, both intent on making the most of their big scoops, and putting Rapp and his team in the spotlight – as scapegoats if possible – right in the middle of the “blood sport” that is D.C. politics.

Meanwhile, three of the al Qaeda terrorists responsible for the attacks in D.C. are still at large, holed up in an isolated part of Iowa. Rapp and his team have been unofficially ordered to find them by any means necessary. Cracks are opening in the relationship between the terrorists – one, a well-educated and –travelled man, other other a blinkered, rash zealot without a clue about the real world, having spent too much of his life being brainwashed in a Madrasah.

All is not well, however, when Rapp sees that Nash is cracking under the pressure of the mission, the memories of what he witnessed during the terrorist attack haunting him. To save his friend and calm the naysayers on Capitol Hill, he makes a decision to push Nash temporarily out of the main action; to get his head straight before it’s too late, and to protect his family life. Nash seems to have been brought into the series to serve as Rapp’s conscience or moderating influence – he’s younger, more idealistic, and certainly less of a loose cannon.

Pursuit of Honor has a slower start than previous Rapp novels. Rapp comes across as more introspective and perhaps even nostalgic, as he reminisces about his training and his murdered wife, Anna Reilly. Despite this change in pace, the author’s prose is still extremely tight, and coupled with the excellent plotting, make for an engrossing and relatively-quick read.

A recent article in The New Republic, “The Beck Supremacy”, was about Pursuit of Honor and political thrillers as a whole. The author argued that the genre had been ‘hijacked’ by the right. While it is clear that Flynn leans right, he does not do so in a way that alienates centrist or left-leaning readers. In fact, like the best in his genre, Flynn is able to make all sides of any argument that crops up in his novels sound pretty reasonable, avoiding any temptation to make his characters come across like buffoons or two-dimensional. Flynn is not quite as good at this as Kyle Mills, but it must be said that Mills has an exceptional talent for this.

[More on this can be found here.]

Flynn makes frequent reference to “the opportunists on Capitol Hill” who think the CIA is the “fascist wing of the American government”, but (justifiably) pulls no punches when taking a look at Congressional motives and methods, and his negative opinions of Capitol politics:

“this partisan game that everyone wants to play in Washington. Republican versus Democrat… liberal versus conservative… none of that matters… the only thing we’re supposed to concern ourselves with is national security.”

A political thriller as political thrillers should be, Pursuit of Honor is one of the best novels of the year. Timely, engaging, well-crafted, and believable, there’s little more we could ask of any thriller author.

Highly recommended for all fans of thrillers and political novels.

For Fans of: Kyle Mills, Christopher Reich, Joseph Finder, Tom Clancy, John Sandford, Daniel Silva, James Twining, James Patterson, Andrew Britton, Robert Ludlum, James Rollins, Matthew Reilly

(UK Cover : Released January 7th 2010)

Wednesday, August 05, 2009

“House Secrets”, by Mike Lawson (Atlantic)

Lawson-HouseSecretsUS

Joe DeMarco investigates the death of a reporter

In House Secrets, a retired congressman, Richard Finley, has asked Speaker of the House John Mahoney to look into the death of Terry Finley, his son and a reporter who covered politics for the Washington Post. Mahoney sends his ever-reluctant bagman, Joe DeMarco, to investigate; more to do a favour for Finley, as Mahoney (and the cops, coroner, and to begin with DeMarco) believes Terry’s death was an accident.

But, after just a little digging, DeMarco soon learns that Terry was investigating Senator Paul Morelli, a rising star considered a shoe-in for his party’s presidential nomination and the reputation of a golden boy. Terry was known as pursuing quixotic fantasy stories, more the demesne of the National Enquirer than the Washington Post, which only adds to DeMarco’s initial desire to quickly discard the investigation. This time, however, it appears that he might have been on to something big.

Senator Morelli has been luckier than most politicians, and his past has already been scrutinized by the press and political opponents, leaving DeMarco to believe that everything is above board and Terry’s death was nothing more than a tragic accident (kayaking in the dead of night is, after all, fraught with hazards). Then CIA agents and mobsters start to crawl out from under their rocks, and it becomes clear that things are not as they first seemed. Navigating through political waters populated by smooth-talking politicians and their Machiavellian aides, as well as thugs (either mob-affiliated or CIA-hired) and bitter, alcoholic political wives, DeMarco finds himself in a far more precarious position than he ever believed possible. Then, halfway through the novel, the ante is upped when things turn deadly.

Lawson’s writing keeps getting better and better. The first DeMarco thriller, The Inside Ring, was a perfectly balanced political thriller which definitely left me hungry for more. Despite a slightly uneven sophomore novel (The Second Perimeter), Lawson’s writing improved immensely in first House Rules and now again for House Secrets. DeMarco continues to be an engaging and interesting protagonist, and his supporting cast is equally well-written – especially the different relationships between DeMarco and, for example, Mahoney or Emma, his former-spy friend who has helped him out on numerous occasions and in ways even DeMarco isn’t aware of.

Brilliantly written, in House Secrets Lawson has taken the classic tale of Machiavellian political ambition in a new direction and made it his own. The plot unfolds at a perfect pace, twisting and turning, taking the reader in new directions and never predictable. The author’s prose are fluid and drag you forward through the novel, with dialogue that feels natural, and his realistic characters with plausible motivations and agendas.

An excellent story and plot, expertly executed. This is political thriller-writing at its most engaging, and once again I was left wanting more. Highly recommended.

Series Chronology: The Inside Ring (2006), The Second Perimeter/Payback (2007), Dead On Arrival/House Rules (2008), House Secrets (2009)

Also try: William Bernhardt, Kyle Mills, Vince Flynn, Steve Jackson, Brett Battles, Daniel Silva, Steve Martini, Brian Haig

For some reason, all but the first DeMarco novel have been released in the UK and US with different titles. House Secrets will be released in the UK through Harper’s on September 3rd 2009, as Dead Man’s List

Review posted from Lima, Peru

Monday, July 13, 2009

“First Family”, by David Baldacci (PanMacMillan)

Baldacci-FirstFamily

With the President’s niece kidnapped, King and Maxwell are called in to investigate

David Baldacci exploded onto the thriller scene with Absolute Power (1997), which was later made into a movie starring Clint Eastwood. Not since Absolute Power, however, has Baldacci taken us back into the lives of those who live in the White House.

In First Family, the President Dan Cox’s niece is kidnapped after her twelfth birthday party and her mother murdered. First Lady Jane Cox, who has some history with Sean King from his Secret Service days, employs him to find her niece, Willa. Sean King and his partner Michelle Maxwell (the stars of three previous novels by Baldacci) embark on a convoluted case, disrupted by family tragedies, Washington politics, and a truly ingenious plot that has been years in the making.

Baldacci’s novels continue to enthrall readers the world over (his novels are available in 40 languages in more than 80 countries), and First Family will not disappoint his fans. The plot moves along a little slower than normal (though this didn’t stop me devouring it in two days), with the events concerning Michelle’s family something of a distraction. Maxwell has always been a pretty broken character, struggling with her personal demons, and in First Family we get to see what it is that she’s buried in her subconscious from so many years ago. All of Baldacci’s characters – whether minor bit-players or our heroes – are well-rounded and believable, and in First Family, he’s done an exceptional job of rounding out Maxwell and King, their relationship and those they interact with throughout the novel.

The main case, that of Willa’s kidnapping, is an excellent story, and one that unwinds slowly as the novel progresses and Sean and Michelle tease out facts and clues to help save Willa. The case takes them through the politics of government contracts to the deep South and a historic plantation house filled with secrets. Sam Quarry, the novel’s antagonist, is an exceptionally well-rounded character, and one I ended up caring about far more than I did for the First Couple (or perhaps any other character in a long while).

Expertly written and an engaging and exciting plot: What more could we ask for? Baldacci remains one of the best writers in the business.

An essential read.

Series Chronology: Split Second (2004), Hour Game (2005), Simple Genius (2007), First Family (2009)

For Fans of: Lee Child, Kyle Mills, Andrew Britton, Brad Thor, Vince Flynn

Saturday, July 04, 2009

“This Is How It Starts”, by Grant Ginder (Simon & Schuster)

Ginder-ThisIsHowItStarts

An insider’s look at Washington, D.C., through the eyes of an atypical protagonist

Taylor Mark is a recent graduate, newly employed by California Congressman John Grayson, a less-than-brilliant member of the House. Guided by the experienced hand of his best friend from college, Chase Latham, and his well-connected lobbyist family, Taylor gets to know the inner-workings of the city, and how deals and decisions are made behind the scenes, and as the stakes climb higher, the boundaries between right and wrong, legal and illegal become blurred as actors play to win.

“Secrets are currency.” This Is How It Starts is a personal tale of one young idealist’s journey through modern-day Washington, D.C. A satirical look at the tedium of working in American politics, stripped of the glamour, patriotism, and style we’ve come to expect through multiple viewings of The West Wing. Taylor navigates his way among the egos, the affectations, the snobbery, and politics. His new world is populated by those whom David Brooks, a columnist at New York Times, dubbed “BoBos” – the Bohemian Bourgeoisie. Totally wrapped up in their own lives and microcosmic world, they are prone to small-minded prejudices(couched in high-mindedness), not to mention institutionalised racism and bigotry. It’s a fascinating appraisal of a strata of society considered so exclusive, but in actuality one that has considerably unpleasant attributes.

Taylor Mark is an unusual protagonist for a political novel. He is neither driven by some inner thirst for political power, nor through any burning sense of civic duty and idealism (such as Richard North Patterson’s Kerry Kilcannon character), and he is certainly not former-military (see Vince Flynn’s Mitch Rapp novels). Taylor Mark is a Chandler-esque character (the one from Friends): he is self-deprecating, self-conscious, not entirely successful with women, and somewhat overshadowed by his best friend, Chase. Chase, on the other hand, is your typical, brash trust-fund baby. Taylor’s family and past has contributed significantly to his character, and Ginder expertly weaves scenes from the past into the narrative to help us understand our ‘hero’.

Ginder is a strong writer – his prose flows nicely, and he has a gift for writing snappy dialogue and interesting, three-dimensional characters. As a debut, this is an assured, frequently funny novel about a post-collegiate idealist’s attempts to make it in the capital. Taylor Mark is an endearing protagonist, and is an entertaining guide through Washington’s young-elite society. The humour is well done, never forced or laid on too thick, but not laugh-out-loud funny (a blessing, as attempts at political ‘lol’ moments rarely, if ever, succeed in being funny). The pace and plot could have done with some streamlining, as I found it slower to get going than I would have expected. Taylor is, however, an interesting and insightful guide to this less-than-praiseworthy side of Washington, and the story will still keep your attention and hold your interest throughout.

Overall, a good novel that I enjoyed reading, and I would recommend it to anyone interested in this genre. If you like Christopher Buckley’s novels (e.g. Thank You For Smoking, Boomsday), then you should like this as well (although Ginder’s tale is nowhere near as zany as Buckley’s plots can be).

Monday, June 22, 2009

“Wicked Prey”, by John Sandford (Pocket Books)

Sandford-WickedPrey

The Republican Convention is in town, and a killer’s on the hunt

In Wicked Prey, the 19th Lucas Davenport thriller from one of America’s best thriller authors fails to disappoint.

With the Republican Convention in town, Minneapolis’s police forces are stretched to breaking point. A team of professional criminals, led by Brutus Cohn, have decided to take advantage of the vast amounts of cash involved in presidential elections. They have organized an ingenious scheme to get (very) rich quick while avoiding attention from law enforcement. Unfortunately, they failed to factor Davenport into the equation, as he sniffs out the smallest leads to track them down. As things escalate, and they’re pushed into a corner, the chase becomes deadly.

Meanwhile, Lucas must also deal with troubles at home, juggling the various women in his life – Letty, his ward, is slowly starting to exert her independence, working at a local news station. To add further trouble for him, Randy Whitcomb, a paraplegic pimp, has decided that Lucas is the root of all his woes and decides he wants revenge, one way or another. The problem is, Letty’s budding journalistic tendencies are pointing her in Whitcomb’s direction…

Sandford remains the king of American thriller authors. His plots are always seamlessly constructed, his criminals ever-changing and increasingly cunning. Wicked Prey has a slower start than normal, as the author allows things to build to a gentle simmer before the action and chase begins. His prose keep the reader hooked, pushing ahead as events unfold on the pages. One of the best things about the Prey series is the attention paid to the relationships between the recurring characters – be it Lucas and his wife, Weather, or among the employees of the Bureau of Criminal Apprehension.

To say more would be to give away too much of the plot. Needless to say, Wicked Prey is easily one of the best crime/thriller releases of the year, and is an absolute must-read for all. If you like thrillers, this will tick all the necessary boxes for you. I always finish a Sandford novel completely satisfied, while also wanting more. As the author expands another of his series (featuring Virgil Flowers, a protégé of Davenport’s), each year offers more and more opportunity to read his work. Now, if only he’d revisit the Kidd series…

Impeccably written, populated by interesting and colourful characters, this could not come more highly recommended.

For Fans Of: Lee Child, Robert Crais, Michael Connelly, Kyle Mills, James Patterson, David Baldacci, Jack Kerley

Tuesday, January 27, 2009

“Palace Council”, by Stephen L. Carter (Jonathan Cape/Random House)

Carter-PalaceCouncil

A slow-burning, decade spanning political thriller

Carter’s novels take place in the legal and political worlds, paying particular attention to the African-American elite, and the black upper class – a section of American society not often the focus of fiction, referring to African-American society in the United States, through all his novels, as “the darker nation”.

The main protagonist of Palace Council is Eddie Wesley, a young star of fiction in New York. In 1954, after a swanky engagement party, Wesley stumbles over (literally) the body of white lawyer, Republican party fundraiser, and adviser to President Eisenhower, Phil Castle. It becomes apparent that Castle was a member of what can only be described as an underground government of the United States. Wesley is drawn into a conspiracy aimed at changing or toppling the upper levels of the US government. Through diligent digging (aided by his former lover, Aurelia), Wesley is able to unravel the conspiracy (though it does take 20 years).

Unlike some political thriller writers, Carter draws on real events and real people to flesh out his novels. Richard Nixon, for example, makes an appearance, as do Langston Hughes, J Edgar Hoover and JFK. His attention to period detail is assured and interesting, adding another difference to the current crop of high-tech thrillers from the likes of Brad Thor, Vince Flynn and Tom Clancy (where has he gone, recently, anyway?). Despite this eye for detail, Carter does shift certain events to suit his plot (which he admits in the afterword). Regardless, his novel manages to convey an authenticity in its underlying descriptions and portrayal of the important struggles of the time – race, politics, Vietnam, and so forth.

While the historical setting might intrigue some, Carter’s prose are rather slow and methodical, making this a rather acquired taste – some might consider it measured and concise, while others will merely think it plods along. At times, it can feel like a struggle, trying to get to something interesting or exciting – especially given the author’s penchant for foreshadowing major events well in advance of them taking place. Within mere pages we are informed that Wesley will “help to topple a president”, but it takes a long time before it happens, or before it’s really intimated just how he might be involved in such an endeavour. This will infuriate some, but hook others.

While there is no doubt that this is a well written and plotted novel, its pace was a little too slow for me. Maybe this is just due to my taste in the aforementioned, faster-paced and more modern thriller writers. This is a rewarding read, but the reward at the end is diminished by the sometimes arduous journey taken to get there. I couldn’t help but wonder what this would have been like had it been written by someone with a faster writing and plotting style.

A rather wary recommendation.

Monday, September 01, 2008

"Dead on Arrival", by Mike Lawson (Harper Collins)

Political Thriller done right!

Mike Lawson's debut, The Inside Ring (2006) introduced us to Joe DeMarco, trouble-shooter for the Speaker of the US Congress, Mahoney. Called on to do all the jobs the Speaker doesn't want publicised, DeMarco works in the dirty underbelly of US politics (not to mention having an office in the basement). The novel is told primarily from the perspective of DeMarco and the Speaker (who's actually an awesome character, so his increased presence here is definitely welcome), providing insight into both the public and private workings of the US government.

A series of failed attacks by Muslim Americans gets the politicians all riled up and calling for blood. At first, the call is only from a freshman, Senator Broderick, who calls for Muslim registration (to begin with). As these attacks get larger and more brazen, the Speaker sends DeMarco off to investigate why one of the attackers, who happened to be a family friend, decided to slaughter his family and try to fly his Cessna into the White House.

Working with various government agencies (cheekily dropping the Speaker's name whenever he meets resistance), DeMarco uncovers a plot of far greater magnitude and consequence.

Lawson has recovered from his lacklustre second novel, The Payback (2007), and Dead On Arrival returns us to a gritty political world, where almost everyone can be bought or intimidate. For a hatchetman, DeMarco lacks the Bond-esque qualities of many leading men (he's uncomfortable around guns, for example, and has a habit of getting caught), making him far more believable and, strangely, likeable.

With tighter prose, Lawson's really upped his game. A longer, slow-burning thriller, Dead On Arrival will appeal to anyone who likes political thrillers focussing on current events, and especially those who aren't in any hurry to get to the end. Highly recommended in a field that is growing increasingly more popular and competitive.

For fans of: Andrew Britton, Vince Flynn, Kyle Mills, Alex Berenson, David Baldacci

Monday, March 03, 2008

"The Race", by Richard North Patterson (MacMillan)

One of the best Political Thrillers ever written.

Just a very, very quick review, here - buy this book if you are even slightly interested in the 2008 US presidential election.

Superb plotting, deft characterisation and taut plotting. Once again, Richard North Patterson has written a near-flawless political/legal thriller, following the Republican candidate for President from the start of his campaign all the way up to the end of the primaries. Touching on contemporary political issues and debates (not to mention perhaps the most sensible explanations of conservative hot-button topics), such as abortion and inter-racial couples.

We shall have to wait and see how prescient this is - the main character is clearly modelled in part on Senator John McCain (which the author readily admits).

Truly excellent, and a welcome return to the political arena for Patterson. Buy this book!



Sunday, April 15, 2007

Brad Meltzer - "The Book Of Fate"

The Book Of Fate was the second book by Mr Meltzer that I read (first being The Millionnaires) and - as an indication of just how good a writer he is - I have since read the rest of his novels in very quick succession.

The novel focusses on the trials and tribulations of Wes, personal aide to former president Manning. Horribly scarred by a supposedly-failed assassination attempt, Wes has spent the past eight years working for the former president and his family, almost religiously devoting himself to his work and the president's legacy. Then, as indicated in the blurb on the back of the book, close friend Ron Boyle who was thought to have died during the attempt on Manning's life is spotted by, alive and well (with minor plastic surgery), breaking into Manning's dressing room in Malaysia.

What follows is Wes's attempts to discover the truth about what happened on that fateful day, when his life was altered so painfully - he lost all nerve and muscle control down one side of his face. What makes this different from standard thrillers is both the outcome, the reason behind the mystery and the clues available to Wes and his helpers - a gossip columnist from a Florida newpaper, and the aspiring Congressman who got Wes his job with Manning.

After finding a bizarre code scribbled by the side of a crossword filled in by the president, Wes delves deeper into the loyalties of his co-workers and also the impetus of the man who wounded him - who is still alive, languishing at a mental hospital, until someone from his past pays him a visit.

Don't be fooled by the title - this is not really a thriller in the same vein as Dan Brown's Da Vinci Code, or any other of the multitudes of founding-father conspiracy novels that have been pushed on the public in recent years. While there is some reference to Freemasons and so forth, The Book Of Fate follows a more conventional thriller style.

The pace is quick throughout, without lacking detail or cutting corners. Meltzer's ability to spin a tale has certainly improved since his first novel, The Tenth Justice (which was also a very enjoyable, cleverly-plotted political thriller). The book fulfils all the hopes anyone might have for a thriller in this day and age - great characterisation, a pace that never lets up, a convincing storyline, a healthy amount of wit, and a great finale.
If there was one fault with Mr Meltzer's writing style, it would be that occassionally he used certain phrases that sound cheesy or out of place but these are usually short and not integral to the story. Thankfully, he only partially succumbs to my biggest bug-bear with thrillers, and that's the emotional aspect of many characters - they seem to only experience the extremes of emotion. With Meltzer's characters, though, we get a wide range of emotions, which not only makes the characters more believable but also makes his books even more readable.
If you haven't tried any of Brad Meltzer's novels, I strongly advise you to start right now. Maybe then his publisher will spend some more time promoting his work.
Also try: James Twining, Kyle Mills, Mike Lawson, John Grisham