Showing posts with label Brian Azzarello. Show all posts
Showing posts with label Brian Azzarello. Show all posts

Tuesday, March 19, 2013

Wonder Woman, Vol.2 – “Guts” (DC)

WonderWoman-Vol-02Writer: Brian Azzarello | Artist: Cliff Chiang (#7-8, 11), Tony Atkins (#9-10), Kano (#10) | Inks: Dan Green (#9-) | Colors: Matthew Wilson

Wonder Woman goes to hell! After playing Poseidon, Hades, and Hera against each other, Hades strikes back by kidnapping Zola and trapping her in the Underworld. It’s up to Wonder Woman — with a little help from the God of Love and the God of Smiths — to break Zola out. But what is Hades’ real game, and once you get into the land of the dead, how exactly do you get out?

Collects: Wonder Woman #7-12

I rather enjoyed the first collection of Azzarello’s run on Wonder Woman. Chiang’s artwork is great, and Azzarello’s story has some surprises and is a pretty interesting interpretation of Greek Mythology. Where the first collection, “Blood” was strong, “Guts” didn’t live up to my expectations as much as I had hoped – mainly because there’s a bit of a weak middle-section. Otherwise, though, this is still pretty interesting and it does end on a strong note.

Wednesday, October 24, 2012

“Before Watchmen” Third Month (DC)

BeforeWatchmen-Header

Reviewed by Abhinav Jain

The second month of Before Watchmen releases was 50/50 for me, as you can read here. Len Wein’s Ozymandias #1 disappointed me as much as Brian Azzarello’s Comedian #2 did, while Darwyn Cooke’s Minutemen #2 was great, as was as his co-authored Silk Spectre #2 with Amanda Conner. In August, the new round of Watchmen comics got their first 5-issue month in which we were also introduced to Brian Azzarello’s and J. Michael Straczynski’s second titles, Rorschach and Dr. Manhattan, respectively. So let’s see how the month went...

Reviewed: Night Owl #2, Rorschach #1, Dr. Manhattan #1, Minutemen #3

Monday, July 30, 2012

“Before Watchmen” Second Phase (DC)

BeforeWatchmen-Header2

Reviewed by Abhinav Jain

Last time I talked about Before Watchmen, my experience with these prequel series had been largely positive, with the exception to Brian Azzarello’s Comedian #1, which I rather disliked. The other three, Minutemen #1, Silk Spectre #1 and Nite Owl #1, I’d really liked and couldn’t wait to read more. You can find my review of them here. So it was with quite a bit of enthusiasm that I dipped back into the Watchmen-verse this month.

Reviewed: Ozymandias #1, Silk Spectre #2, Minutemen #2, Comedian #2

Wednesday, July 04, 2012

“Before Watchmen” First Phase (DC)

BeforeWatchmen-Header

Reviewed by Abhinav Jain

My prior experience with Watchmen is limited to the 2009 film adaptation. I remember that it was an extremely weird experience, as I had no prior familiarity with it and I was rather confused for the whole of it. My friends helped fill in a few blanks later during dinner and then that was that. As you can no doubt tell, I was not motivated to go pick up Alan Moore and Dave Gibbons’ graphic novel and read the source material.

Recently, however, I’ve been getting back into comics after a rather long break, and when I heard that DC was planning a prequel phase, the Before Watchmen series, I was mildly curious. I like the idea of prequels, especially for things like these. To give but one example, Tolkien’s Silmarillion is one of my favourite novels ever; although it is almost entirely prequel stories set in Middle-Earth and in Valinor and our heroes of the original trilogy barely feature in it.

So when the Before Watchmen comics started releasing last month, I picked them up one by one: the first issues of Minutemen, Silk Spectre, Comedian and Nite Owl. I still somewhat prevaricated on this, and didn’t read them right away as I had some other reading commitments to get out of the way first.

Tuesday, May 29, 2012

“Wonder Woman, Vol.1: Blood” (DC New 52)

WonderWoman-Vol-01

Writer: Brian Azzarello | Artist: Cliff Chiang, Tony Akins (ch.5&6) | Inks: Dan Green (ch.6) | Colours: Matthew Wilson

Hippolyta, queen of the Amazons, has kept a secret from her daughter all her life – and when Wonder Woman learns who her father is, her life will shatter like brittle clay. The only one more shocked than Diana by this revelation? Bloodthirsty Hera – so why is her sinister daughter, Strife, so eager for the truth to be told?

I took a gamble with this one. I’ve never read anything related purely to Wonder Woman (and only a few issues of Justice League), so have no history with the character. I’ve also not read much of Azzarello’s stuff – in fact, I’ve only read the first issue of Spaceman, which I thought was... well, not good. So, I figured I might be on safer ground here (I’ve also picked up volume one of 100 Bullets, which I’ll review pretty soon). Thankfully, I was not disappointed with this book, and I rather enjoyed it.

Saturday, April 28, 2012

“DMZ Vol.1: On The Ground” (Vertigo)

DMZ-Vol.01-OnTheGroundThe Ultimate Journalist Embed: New York City…

Writer: Brian Wood | Artist: Riccardo Burchielli

In the near future, America’s worst nightmare has come true. With military adventurism overseas bogging down the Army and National Guard, the U.S. government mistakenly neglects the very real threat of anti-establishment militias scattered across the 50 states.

Like a sleeping giant, Middle America rises up and violently pushes its way to the shining seas, coming to a standstill at the line in the sand — Manhattan or, as the world now knows it, the DMZ.

Matty Roth, a naïve young man and aspiring photojournalist, lands a dream gig following a veteran war journalist into the heart of the DMZ. Things soon go terribly wrong, and Matty finds himself lost and alone in a world he’s only seen on television. There, he is faced with a choice: try to find a way off the island, or make his career with an assignment most journalists would kill for. But can he survive in a war zone long enough to report the truth?

DMZ Volume 1 exceeded all my expectations. I can’t quite remember what made me pick it up in the first place, but I’m very glad that I did. DMZ paints a bleak, fascinating picture of a fractured America, and one man’s attempts to understand the wreckage.