Showing posts with label Paul Kemp. Show all posts
Showing posts with label Paul Kemp. Show all posts

Wednesday, July 04, 2012

Most-Anticipated Novels – July 2012

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It’s been a while since I wrote a post highlighting a given month’s most-anticipated releases. But, given that this year is shaping up to be a real monster for new fiction, and because it’s just impossible to read everything, I thought it would be a good idea to give a hat-tip to those books I’m most looking forward to reading. I’ve stuck with UK release schedules for the most part, but a couple are US releases or books already available across the pond.

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I’ve been lucky enough to get a fair few of these titles already (and have managed to read three in advance of their releases), so I have included links to my reviews where relevant, rather than exhaustive comments on those titles.

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So, without further ado, here are my picks for July 2012…

Thursday, June 07, 2012

I Ask You: “Should you read what you write?”

I’ve been wondering lately about whether or not it’s a good idea to read what you write. I don’t mean to suggest people shouldn’t edit or proof-read their own writing. What I mean is, should you read the same genre that you write in?

I’ll give you an example. I have a novel idea, which I am particularly excited about. It’s related to a specific sub-genre, which I have consciously been avoiding in order to avoid undue influenced by what is already out there. At the same time, I recognise that being familiar with the genre in which you wish to write is important. Reading widely outside of your genre could help bring outside influences into the novel, help you make something new.

There’s also the question of whether or not you should read your own work, an angle that a few authors addressed as well. How obsessively should you pay attention to your work once it’s out in the world?

So, my question to you is,

“Should you read what you write? And why?”

I sent out a general invite by email and Tweet, and received quite a bit of interest. I’ve included the responses, below, from Jennie Ivins, Sarah Cawkwell, Jon Courtenay-Grimwood, Myke Cole, Mhairi Simpson, Anne Lyle, Robert Jackson Bennett, Mark Lawrence, Gail Carriger, Paul S. Kemp, Lou Morgan, Helen Lowe, and Justin Landon.

Please feel free to contribute your own thoughts and responses (on both interpretations of the question), in the comments. There may also be more authors’ contributions coming in over the next couple of days, so I will either update this or post a second round.

Wednesday, June 06, 2012

Interview with PAUL S. KEMP

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Paul Kemp is a very busy author, writing in a number of franchised fantasy settings – including Star Wars, Forgotten Realms and Warhammer – as well as his own, new fantasy series featuring the rogues Egil & Nix. I’ve read a few of his novels, including the upcoming The Hammer & the Blade (which is great), and I wanted to find out more about his writing, so I fired over some questions…

Thursday, March 08, 2012

“Hammer & the Blade” by Paul S. Kemp (Angry Robot)

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The start of a great new Sword & Sorcery series

Kill a demon.

Steal the treasure.

Retire to a life of luxury.

Sounds easy when you put it like that.

Unfortunately for Egil and Nix, when the demon they kill has friends in high places, retirement is not an option.

File Under: Fantasy [ Derring Don’t | Hammer Time | Family Affair | Hell Spawn ]

Before reading this novel, I was only familiar with Kemp’s Star Wars fiction, and so was very much looking forward to reading what he could accomplish in this genre. Luckily, the novel exceeded my high expectations. It is a dark, action-packed adventure sure to appeal to fans of sword and sorcery. I really enjoyed this.

Monday, January 16, 2012

“Age of Legends” edited by Christian Dunn (Black Library)

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A collection of dark fantasy fiction

The dark origins of the Warhammer World are soaked in blood. Epic wars between kindred races reshaped continents, vast civilisations rose and fell, the dead walked the earth in legions. This is an age of mighty heroes whose like will never be seen again, such as the mangod Sigmar and Caledor, the Phoenix King of the elves. It is also an era of dread villains like the Witch-King Malekith and Nagash, the Lord of the undead. In these troubled times, dragons still flock the skies and magic exists that can doom or save the world.

It used to be that all Warhammer fiction came in the form of short stories, so it’s nice that Black Library are maintaining output of shorter slices of Warhammer (and WH40k) action and adventure. In Age of Legends, we have ten stories from a number of established masters of the world, as well as some new blood. Overall, this is another great anthology of dark, engaging fantasy fiction, with some particularly enjoyable contributions from newer authors.

Thursday, December 29, 2011

2011 in Review: The Ones That Got Away

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The longer I’ve been reviewing books, the more novels I find that I really want to read but end up not having the time for.

This year, like last year, also saw another decline in thriller and non-genre fiction reviews: I was either finishing my PhD or recovering from the final push, so needed a real escape from the real world and politics, which means I avoided some of my normally must-read authors (David Baldacci, John Sandford, to name but two). I’ll try to get some more read in January, but that’s a pretty busy month as well for big new releases (in anticipation but also page-count)…

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This year there have been a lot of books that were highly anticipated that I just couldn’t get around to (see the link-gaps on the “2011 Releases” page and you’ll see what I mean, and that list is by no means exhaustive). Most of them I have already, either sitting on my TBR pile or on my Kindle, which just makes it more frustrating.

In lieu of timely reviews, though, I thought I’d give a quick shout-out (with synopses and a few comments) for some of the ones that got away in 2011. Only, given the number of books I neglected, it’s not really that ‘quick’ a post…

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Tuesday, May 04, 2010

“Crosscurrent”, by Paul Kemp (Arrow)

SW-Crosscurrent (Kemp)Time-travelling Sith and a troubled Jedi’s personal quest collide

An ancient Sith ship hurtles into the future carrying a lethal cargo that could forever destroy Luke Skywalker’s hopes for peace.

The Civil War is almost over when Jedi Knight Jaden Korr experiences a Force vision so intense he feels compelled to act. Enlisting two salvage jocks from the outer reaches of the galaxy and their ship, Jaden sets out into space. Someone – or something – appears to be in distress.

But what Jaden and his crew find confounds them: A 5,000-year-old Sith dreadnaught – bringing with it a full force of Sith and one lone Jedi – has inadvertently catapulted eons from the past into the present. The ship’s weapons may not be cutting-edge, but its cargo, a special ore that makes those who use the Dark Side nearly invincible, is unsurpassed. The ancient Jedi on board is determined to destroy the Sith.

But for Jaden, even more is at stake: for his vision has led him to uncover a potentially indestructible threat to everything the Jedi Order stands for.

Thousands of years before the Legacy of the Force series, two Sith ships were sabotaged. One ship, Omen, crashed on a distant planet, and its survivors evolved into the ‘Lost Tribe of Sith’ introduced in the new Fate of the Jedi series and the e-novellas by John Jackson Miller. The other ship, Harbinger, was lost in a time-warp, finally exiting hyperspace far in the future, a very different galaxy from the one it left behind in what seems to be almost no time at all.

It is great that those in charge of guiding the evolution of the Star Wars series of novels have started to incorporate more and more layers to the overall story of the universe – drawing on seemingly innocuous details from other novels to build further on the Star Wars mythology. Indeed, Crosscurrent has far more connections to the wider Star Wars universe than most of the novels that have been set within it for quite some time.

The main antagonist in the novel, the Anzat Kell, is a truly creepy, evil creature whose menacing presence hovers over much of the story, as he ghosts in the wake of Jaden and his companions, believing the Jedi is the key to a greater understanding of the universe and the Force. Kell’s connection to Darth Krayt and Darth Wyrrlock is interesting, as these are two characters I’ve only seen in connection to the Star Wars: Legacy comic series (published by Dark Horse), set approximately 100 years after this novel. I wonder if they’ll appear again in the fiction, or if they will remain in the comics?

As mentioned above, Crosscurrent start’s with events that also open the Lost Tribe of the Sith e-novellas (parts 1, 2 and 3 available free here, here and here), from the perspective of the captain of Omen’s sister-ship, Harbinger. It’s great that there is more attention to the wider picture of events that unfold before the Fate of the Jedi sequence, but it might leave some new readers a little lost (but only for a short while). Saes is an interesting captain, whose ongoing battle with his former master, Relin, is central to the story, culminating in an explosive confrontation aboard Harbinger, as Relin’s broken psyche consumes him.

Khedryn and Marr are useful characters to balance the seriousness of Jaden and Relin: neither are Jedi, and thus more carefree and, in their way, innocent. In fact, one thing that should be said about all the characters in Kemp’s first foray into the Star Wars universe is that they are all well-developed and three-dimensional. For such a short novel (only 300~ pages), Kemp manages to give us enough character development that feels natural, rather than just plot-driven necessity; I really hope these characters reappear in future novels in the series.

Kemp’s affection for Star Wars is evident throughout, as parallels can be drawn with the original three movies. For example, Farpoint, the Outer Rim outpost where Jaden meets his “rascal” companions, has the distinct feel of Mos Eisley: smugglers, salvagers, drinking dens, and the Underground existing and in charge of the ‘over-ground’. In fact, there are frequent homage to the original three movies – either through scene vignettes or snatches of dialogue that make me think of things Obi-Wan or Darth Vader might have said (particularly between Saes and Relin, and Relin and the short-lived Drev).

Kemp is a great new voice in Star Wars universe, and it would be great to read some more of his work, and certainly interesting if he were given another chance to write something in this universe. As well as giving the reader the action and themes usually indicative of Star Wars novels, he also manages to bring more alongside – the relationship between Khedryn and Marr, for example, is a great look at camaraderie, and their acceptance of Jaden only progresses this. Saes and Relin’s conflict is one that draws on loss, revenge, and desperation. All together, these make Crosscurrent not only an engaging mystery set in a familiar universe, but also a character-driven work of fiction. It is a very satisfying read, I must say.

One thing that surprised me the most, however, is how long it took for the events described in the synopsis to actually happen – the time-travel (a new element for the Star Wars universe, and executed very ably) only takes place in the second half of the novel. Thankfully, the events that preceded it did not make the novel feel slow or prolonged unnecessarily – a testament to Kemp’s gift for plotting. In fact, there were only two instances when I felt the pace flag a little; for the main, I rattled through this novel at considerable speed.

Engaging, more gritty than many novels in the series, and very finely written and plotted, Crosscurrent is a must for any fan of the series and movies.

[For those interested in where Crosscurrent fits into the greater ark of Star Wars fiction, it is preceded by Millennium Falcon and followed by Outcast.]