Guest Post: “The Delphi Room – Through the Looking-Glass” by Melia McClure

In my novel, The Delphi Room, two people watch the past of the other unfold in a mirror. Trapped next door to one another in rooms they believe to be Hell, Velvet and Brinkley are captive audience to the disturbing “home movies” that play in a mirror that hangs in each of their prisons.

Mirrors are compelling symbols and have appeared in various art forms and spiritual texts throughout the ages. The Oracle of Apollo at Delphi, referenced in my book’s title, demanded of ancient Greeks “know thyself” – no small demand, and one which my characters grapple with mightily, in mightily eccentric fashion. Among other things, mirrors have historically symbolized self-knowledge and wisdom, and like the ancients who returned to Delphi again and again in search of answers to the riddles of life, countless numbers of people currently revisit a mirror as a daily reference point in the evolving construction of identity. The Delphic oracle answered seekers’ questions with riddles, and for mirror-gazers the riddles of the mind have a drastic impact on the perception of the confounding entity known as “self” that is reflected in the glass.

“Devil in the Dollhouse” by Richard Kadrey (Voyager)

A Sandman Slim Short Story

James Stark, a.k.a. Sandman Slim, has a new job, but being the new Lucifer in town gives fresh meaning to the word “Hell”. Especially when he hears of hideous massacres near a haunted fortress out on Hell’s frontier. As far as Stark’s concerned, the more dead Hellions, the better, but he still has to prove that no one screws with Sandman Slim. And facing creatures so terrible even Hell does not want them is no cakewalk, even for Lucifer.

It should be no surprise by this point that I’m a fan of Kadrey’s Sandman Slim novels, having reviewed the first three novels of the series in quick succession. Devil in the Dollhouse is a stop-gap short story that was released before the now-published fourth novel, Devil Said Bang. Unsurprisingly, this is a short, sharp taste of Kadrey’s take on the eternal battle between Heaven, Hell and the humans caught in the middle. Superb.

[Warning: Minor spoilers for the first three Sandman Slim series follow, but I have kept them to an absolute minimum and referencing bigger-picture things, rather than specifics.]

“Inferno” (Zenescope)

Undeveloped & Sadly Cliché

Writer: Ralph Tedesco | Artist: Gabriel Rearte | Colours: Jason Embury, Milen Parvanov

Grace is lost and restless in a big city where her nightmares seem all too real. Suffering from a form of amnesia, she only feels empty and confused.

Her therapist overmedicates, her boss sexually harasses her and her boyfriend beats her. The world is quickly closing in around Grace but when she learns the truth of her past she might just find the power within to redeem her life and battle her demons, no matter how real they might be.

I’ve been meaning to read this for a little while, now, and I finally decided to give it a go. I’m of two minds about what I thought – it has an interesting premise, one that is by-now typical of Zenescope’s output, but it suffers from weak characters and very weak dialogue and writing, not to mention ticking off almost every cliché of single-white-female-lost-in-the-big-city stories in the first chapter (thankfully they go away, and the story starts ticking off all the sarcastic-ass-kickin’-heroine clichés). To keep things interesting, Tedesco has thrown in some pretty weird stuff, and I did think the portrayal of Hell was rather well done.