“Wonder Boys” by Michael Chabon (Harper Collins / Random House / Open Road)

A University Professor’s Crippling Writer’s Block and Drug-Fuelled Self-Destruction

Grady Tripp is a pot-smoking middle aged novelist who has stalled on a 2611-page opus titled Wonder Boys. His student James Leer is a troubled young writer obsessed by Hollywood suicides and at work on his own first novel. Grady’s bizarre editor Terry Crabtree and another student, Hannah Green, come together in his wildly comic, moving, and finally profound search for an ending to his book and a purpose to his life.

This is the second of Michael Chabon’s novels that I’ve read – and in a very short time, too. I still have no idea how to review The Amazing Adventures of Kavalier & Clay, which may rank as one of my all-time favourite novels. (Needless to say, it’s not difficult for me to see why it won the Pulitzer Prize.) Wonder Boys, the novel Chabon wrote before Kavalier & Clay, is a rather different novel. It’s nowhere near as long, for one thing – and yet, strangely, it feels far more rambling and unfocused. I enjoyed it a great deal, and zipped through it in just a couple of days. Chabon has a wonderful way with words that can make even the mundane a pleasure to read about.

“Stolen Prey” by John Sandford (Putnam)

A family massacred, a possible money laundering scheme, rampaging hitmen…

Lucas Davenport has seen many terrible murder scenes. This is one of the worst. In the small Minnesota town of Wayzata, an entire family has been killed — husband, wife, two daughters, dogs.

There’s something about the scene that pokes at Lucas’s cop instincts — it looks an awful lot like the kind of scorched-earth retribution he’s seen in drug killings sometimes. But this is a seriously upscale town, and the husband was an executive vice president at a big bank. It just doesn’t seem to fit.

Until it does. And where it leads Lucas will take him into the darkest nightmare of his life.

This is just a quick review. Stolen Prey is the 22nd novel in Sandford’s Prey/Lucas Davenport series, and it’s another strong installment – though not the strongest. It shows off Sandford’s skill for great pacing and prose, although I think it’s possible the author was trying to cram a little too much into the novel, which gave it a rather meandering feel to it. It doesn’t “fail” as a thriller at all, and it was still gripping and engaging, but I think Sandford has written stronger novels in the past.

“Judge Dredd: Year One - City Fathers” by Matthew Smith (Abaddon)

An eNovella Introduction to Mega City’s finest

The Making of the Lawman...

Mega-City One, 2080. It is Joe Dredd’s first year as a full-eagle Judge – he may have been created from the genes of Eustace Fargo, the ‘Father of Justice’, and thus part of an illustrious lineage, but right now Dredd is not long graduated from the Academy, and yet to establish himself as the metropolis’s toughest, greatest cop. His reputation will be moulded in the years ahead, but at the moment he’s a young lawman, fresh on the streets.

The brutal murder of a Justice Department-sanctioned spy sparks an investigation that will see Dredd trawl the criminal underworld in the hunt for the killer – and he will discover that all is not what it seems in the sector's murky black market. Something new has entered the system, and unless Dredd can stop it, chaos will be unleashed...

This novella, which was released just before the new Dredd movie hit cinemas, is a great story of Mega City’s most bad-ass of cops. Set in his first year, it serves as both introduction and refresher course, for new readers and lapsed enthusiasts (the latter including yours truly). I really enjoyed this story, and I hope there are more on the way. City Fathers is a great dystopian sci-fi crime thriller.