Hinterkind, Vol.1 – “The Waking World” (Vertigo)

Writer: Ian Edginton | Artist: Francesco Trifogli

In a post-apocalyptic world where humans have been pushed to the edge of extinction by the creatures of fantasy and fables, THE HINTERKIND tells the story of one young woman’s quest to fulfill her destiny and put the world right again.

Fifty-seven years after an unspecified biological event has all but wiped out the human race, a green hand has moved over the face of the Earth. Leaf, root and shoot have steadfastly smothered the works of man, remorselessly grinding the concrete, glass and steel back into the minerals from whence they came. Mother Nature is reclaiming what’s rightfully hers but she's not the only one…

The Hinterkind have returned. They come from hiding places in the lost corners of the world: Centaurs, Satyrs, Elves, Dwarves, Ogres, Trolls, Werewolves, Vampires…

They’re also known as “the Hidden,” “the Twilight People,” the “walkers-in-shadow,” collective names for the menagerie that mankind has hung its tales of myth and magic upon – but these aren’t fairy tale creatures. They are flesh, blood and passion, and they have a long simmering hatred of humanity.

They are a divergent species. Exotic evolutionary try-outs that couldn’t compete with the rapacious ape. Hunted to near extinction through fear and ignorance, they fled to the great forests and deserts, losing themselves in the shrinking wilderness of an ever-expanding world.

Now the wilderness is the world and mankind is in the minority.

Collects: HINTERKIND #1-6

This is a strange, promising, and yet somewhat flawed start to a new series.

The first issue presents a fantastic post-apocalyptic world – one in which human society has been near-destroyed, global populations brought to the brink of extinction. Our protagonists are based in Central Park, New York, and have built a working community: foraging for leftover items in the over-grown city around them, hunting the wildlife. It’s a stunning start, actually, and I was immediately drawn to the setting. The characters and writing were strong, and they were well-realised by the artwork.

“The Immortal: Demon in the Blood” (Dark Horse)

Reviewed by Abhinav Jain

Writer: Ian Edginton | Artist: Vicenç Villagrasa | Inks & Colours: José Luis Río

After a swordfight, Amane, a young samurai with a haunted past, is left for dead – only to be saved by a mysterious tattooist who imbues Amane with the immortal spirit of an oni demon. From that day on, Amane ages no more.

Amane learns of another with a similar oni – one that requires its host to kill – which leads Amane to the realization that the “other” is the man who murdered his sister years ago. But when his decades-long quest for the murderer causes him to cross paths with a maniacal serial killer intent on murdering the woman Amane loves, the only one who can help him is the man who killed his sister.

Samurai are a topic that I find quite fascinating. James Clavell’s Shogun, the tale of an Englishman in Japan at the time of the Portugese/Spanish influence on the island nation, is the novel that sparked my interest. Their sense of honour, their utter and calm lethality, their mysteries, their culture: everything. This fascination extends to the rest of Japanese culture and I’m always up for a variety of anime that showcase it, in all their myriad ways.

Ian Edginton’s script for the comic adaptation of Fumi Nakamura’s Ura-Enma has continued that love for me. It is a story that meshes samurai with oni, Japanese demons, and is a tale set in roughly the Gunpowder era. There is honour, betrayal, treachery, love, and romance, along with a certain bit of horror to the proceedings.